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The Pleasures of Men – Kate Williams

22 Jan

Catherine Sorgeiul lives with her Uncle in a rambling house in London’s East End. She has few companions and little to occupy the days beyond her own colourful imagination.

But then a murderer strikes, ripping open the chests of young girls and stuffing hair into their mouths to resemble a beak, leading the press to christen him The Man of Crows. And as Catherine devours the news, she finds she can channel the voices of the dead, and comes to believe she will eventually channel The Man of Crows himself.

But the murders continue to panic the city and Catherine gradually realizes she is snared in a deadly trap, where nothing is as it first appears.
And lurking behind the lies Catherine has been told are secrets more deadly and devastating than anything her imagination can conjure …

The Victorians were really keen on microcosm paintings, panoramic views of their society crammed full of faces, stories and activity like so many over dressed ants all busying themselves at the same time. William Powell Frith’s amazing sprawling The Derby Day and The Railway Station are perfect examples of this particularly Victorian genre, where the viewer is invited to greedily observe everything, their eyes scanning the myriad of different faces, pausing here and there to ponder what their story is.

In recent years, the ‘Victoriana’ novel has gained popularity and almost become a genre in its own right. Like the microcosm paintings of Frith, there are rules to this genre, certain period set pieces that must be included, descriptions and observations of a more contemporary nature that must be made and they are invariably populated by a vast cast of characters, mostly incidental but who must be described in great and lurid detail.

The Pleasures of Men by Kate Williams is one such book. I was very much looking forward to reading it, anticipating something akin to Michel Faber’s brilliant The Crimson Petal and the White. Now, The Pleasures of Men is very similar to The Crimson Petal but only in so far as most other ‘Victoriana’ novels are – there’s the usual description of dirt, decay and damp. The wails of unfortunate babies follow the characters wherever they venture. People drink gin like it’s about to run out. There’s an awful lot of prostitutes.

There are other similarities – like Faber’s Sugar, Catherine, the heroine of The Pleasures of Men is damaged by her past and keen on feverishly writing down fantasies that involve violence, death, murder and destruction. Fascinated by a serial killer, known as The Man of Crows, she writes lurid accounts of his murders and eventually decides to venture out into the city at night to walk in his footsteps, believing herself ‘protected’ by the evil that she has always been told dwells inside her.

This was a complex and often deeply unpleasant book. I’ve seen complaints that it is over written and I’d be inclined to agree with that assessment but I believe that it is intentionally so. The writing is full blown, lavish, feverish and often over wrought, creating a really horrible, almost suffocatingly intense atmosphere of heat, dust and dirt as observed by a sexually obsessed, disturbed Victorian teenager who has spent time in a lunatic asylum.

The narrowness of a young Victorian girl’s life is well described here – not just that of Catherine with her peculiar circumstances but those of her over dressed acquaintances, who sexually torment their maids and fantasise about serial killers while slyly keeping watch for suitable young men.

At times though, the plot, which when you think about it isn’t really all that complicated (you’ll be disappointed when you discover the identity of the Man of Crows) veers not so much into confusion as into vague slapdashness, almost as if the writer herself lost interest about a hundred pages before the end (which was a bit of a damp squib all things considered) and decided that she didn’t care who the Man of Crows was or who he murdered any more. I can’t blame her for that – I didn’t really care either.

Would I recommend this book? Well, yes and no. If you are in the mood for a dip into the revolting iniquity of London’s east end in the 1840s and have a thing for Victorian asylums and the deranged meanderings of cooped up young girls as well as splendid Victorian set pieces like visits to pie shops, trips to gin dens and a splendidly disastrous visit to the vaudeville theatre then you’ll almost certainly love this. Otherwise you’ll probably start to feel a bit queasy and long for something a bit less histrionic.

Personally, although I did, I think, rather enjoy myself while reading it (and also feel slightly alarmed as I have written about similar themes in my own Victorian effort), I went off and had a long bath when I’d finished reading and splashed the water about a bit while muttering ‘A MILLION POUND ADVANCE? A. MILLION. POUNDS?’ over and over again until I felt like booking myself in for a nice restorative stay at Catherine’s lunatic asylum, the lovely sounding Lavenderfields.

Having said that, I fully expect this to be made into a film at some point in the near future…

Ps. Where is the woman’s right hand in the cover photograph? Haha, now that I have made you look, you will never be able to UNSEE.

Whitechapel snippets

13 Dec

Because it’s a cold miserable day here in Bristol and so perfect for some creepy Victorian carryings on, here’s the first snippet of the OTHER book I am working on, which is set during the Ripper murders in 1888.

Calais, 1887.

I wish that I’d never looked out of that bloody window. It was Marie’s idea of course, just like everything else, good, bad and terrible, that I got up to that long hot filthy summer at Madame Lisette’s. I should have known how things would be though as soon as she’d pulled the grimy red velvet curtain aside and given a theatrical gasp of shocked surprise. We were always saying that she ought to have been on the stage. ‘Come and see this.’ She’d leaned against the dirty glass, her gin scented breath steaming up the cracked and mould covered pane so that she had to scrub at it squeakily with her black lace mittened hand to be able to see again. ‘What’s that down there?’ She demanded, screwing up her face as she looked down into the gloom. ‘Can you see what it is?’

She beckoned me over and I rather thankfully put aside the red woollen stockings that I was clumsily and unskilfully darning (don’t blame my poor old mama – she did her best to teach me how to be a good little woman but, like me, had poor materials to work with) and went to the window, expecting to see nothing more remarkable than some cats having a fight or a drunk fast asleep and snoring noisily on the doorstep while a dark little puddle of urine spread silently around his feet. Now, of course, I wish that I had been disappointed as I peered down through the murky darkness at the two figures who struggled frantically on the dirty, rain slicked cobbles of the yard.

‘They’ve got a bit of a cheek doing that down there,’ Marie observed with a sniff, turning her head to the side as she tried to make out what was happening down below. ‘Taking bread out of our mouths, she is.’

‘Maybe it’s one of our girls,’ I said slowly, watching them and thinking that there was something wrong, that the woman’s feet drumming and kicking against the cobbles and her muffled squawks of alarm had little to do with the feigned passion that my companion and I both knew so well and, in fact, specialised in. ‘Do you think we should go down and see if she needs help?’ I said doubtfully, wondering why the woman had agreed to lie down on the wet cobbles when it would have been dryer and easier by far to do the business standing up in a nearby alleyway.

‘Not a chance,’ Marie scoffed. ‘And get an earful for scaring off her client? Business isn’t exactly booming right now, is it?’

‘I’m glad of the rest,’ I said, with a sigh and a wink. ‘The hot weather does something terrible to men, doesn’t it?’ There’d been a heat wave a few weeks ago and we’d spent most of our days exhaustedly servicing one customer after another in the sweltering little rooms, painted pink and stinking cloyingly of musk and roses, at the back of the house. It was a blessed relief when the weather finally broke and the rain came thick and fast, thudding against the rattling window panes and drumming noisily on the roof tiles above our heads.

As Marie and I were by far the youngest and, I hope you don’t think me big headed for saying this, prettiest girls at Madame Lisette‘s establishment we’d naturally been the most in demand when hordes of lustful sweating men had started appearing in the shabby crimson and pink parlour downstairs. For a long time afterwards I’d associate hot summer days with lying on my front, my face buried in a musty smelling pillow as I faked moans and whimpers of delight to the accompaniment of Marie screeching like a scalded cat in the room next door while her headboard banged against the wall. ‘Oh, they were bad times…’ I started to say when Marie gave a cry and cut me off.

I looked out of the window and saw the flash of a blade and then another. ‘F*ck me,’ I whispered, shocked. ‘He’s killing her. I knew something wasn’t right.’ I looked at my friend, who had gone pale with fright. ‘What should we do?’

‘Still want to go down there, do you?’ Marie had grabbed hold of my arm and was clinging on, her red painted fingernails sinking into my flesh.

I shook her off and even as she put out her hand to stop me, I forced up the window and shouted ‘Murder!’ as loudly as I could down into the yard. The man paused and I caught my breath, my heart lurching in terror towards my bare feet as he looked back up over his shoulder at our window before carefully pulling down the woman’s disordered skirts which had been lifted up to just above her hips and wiping his hands on them. ‘Murder!’ I shouted again, more shakily this time as he calmly got to his feet and walking briskly away, tucking his bloody knife into an inside pocket as he went.

‘If we go out now, we’ll catch him,’ I said frantically, running to the door, not caring that I was only dressed in my light linen chemise, with my hair hanging unbrushed down my back. I planned to run down to the porters downstairs, two taciturn and burly local men, who were employed to act as both doormen and protectors of we poor geese upstairs but before I could leave the room, Marie had planted herself in front of the door and was staring at me with her mouth hanging wide open. ‘Why did you do that?’ she demanded shrilly. ‘The silly bitch was already done for so why did you let him know that we had seen him?’ She looked pale and, I was starting to realise, furious. ‘You could have sent one of the men out to him. They’d have known what to do.’

I stared back at her. ‘I couldn’t just do nothing,’ I said, flustered. ‘That poor woman…’

‘Never mind that poor woman,’ Marie snapped. ‘What about us? I bet he clocked a right old view of the pair of us standing there at the window like a pair of lemons. What’s to stop him coming back for us one day?’

‘Why would he?’ I asked, but my mouth was suddenly so dry that my voice came out as a pathetic squeak of panic. ‘I could hardly see anything of him so I doubt he could see either of us clearly.’

‘You willing to stay here and take that chance are you?’ she shouted at me, her hands on her hips and cheeks flushed with anger. ‘You happy to stay here in this stinking hovel and wait for him to come for us with his knife?’ She stormed across the room and dragged her battered brown trunk out from beneath her bed then started flinging clothes into it. I noticed one of my own new dresses get dumped inside but decided to hold my tongue and quietly retrieve it later on. ‘You can do as you please but I’m not hanging about this f*cking place! I’m not waiting to be murdered!’

‘Oh for God’s sake.’ I pulled the door open and gathered my nightdress around me then hurried down the rickety stairs to the porters’ tiny parlour below, which was thick with smoke and the stink of rum as the men played cards on the beer stained table in the middle of the room. ‘There’s been a murder,’ I gasped as still holding their cards, they stared up at me uncomprehendingly. ‘Une femme mort!’ I tried again, remembering that their grasp of the English language was somewhat imperfect. ‘Maintenant, dans le yard. Elle est murdered.’ I drew my finger across my throat. That they understood and immediately they pushed back their chairs, which fell onto the tiled floor with a clatter then rushed past me down the corridor to the yard door.

‘What’s this racket about?’ Madame Lisette herself appeared at the top of the stairs, a flamboyantly patterned Chinese silk dressing gown wrapped around herself and her brassy blonde hair hanging in tangled ringlets around her face. Without the deceiving layers of rouge, kohl, powder and paint that she applied with a heavy but practiced hand every morning, she was grey faced and piggy eyed with exhaustion. ‘Maria,’ she said with a resigned sigh when she saw me standing pale and trembling in the hall. ‘I might have known you’d be involved somehow.’ She hurried down the stairs and I took a step back as her heavy musky scent did battle then resoundingly defeated the pungent fumes from the men’s abandoned cigars which lay carelessly on the table amidst the piles of cards and grimy coins. I briefly thought about taking a few of the coins but then reminded myself that the porters were as sharp as tacks and had broken dozens of fingers and noses for far less.

‘There’s been a murder in the yard out back, Madame,’ I said, stepping aside and pointing to show where the men had gone. The door was still open and the cold air was creeping towards us, making me wish that I’d put on a coat before dashing downstairs ‘The porters have gone out to see.’

Madame Lisette stared at me. ‘A murder?’ she snapped, the refined almost caressing accent that she so carefully cultivated vanishing at once to be replaced by broad Bristol tones. ‘In our yard?’ A board creaked on the stairs and we both looked up to see Marie standing at the top, her eyes round with fright and a pair of bright green stockings hanging from her hands. ‘Oh, here she is,’ Madame said, rolling her brown eyes. ‘I suppose you know all about it, don’t you.’ She didn’t wait for a reply but sailed on down the corridor and out through the door.

‘Still leaving are you?’ I whispered to Marie as she came down the stairs.

‘Of course I am, but I heard Lisette ranting on and thought I’d see what was happening first.’ We were creeping quietly down the corridor now and could hear voices in the yard as Madame hissed instructions at the porters in fluent French. As you have probably already guessed, Madame Lisette was about as French as I am but she’d done well for herself when she landed up in Calais and decided to set up a knocking shop there, catering mainly for passing English gentlemen but also any locals who fancied an occasional bit of English meat.

Once a year, Madame took the trip back across the Channel to London and discreetly scoured the brothels of the West End for disaffected girls who fancied a new silk dress and a free trip to France. That’s how she’d found Marie and I. We’d both been working at an elegant establishment on Jermyn Street when Madame Lisette had stepped out of the shadows one day and put her glossy calling cards into our unwilling hands as we walked down to Hyde Park in our best frocks to look for some business.

‘Haven’t I been saying that I want a change of scenery?’ Marie had said, her eyes round and misty as she daydreamed of the Eiffel Tower and handsome French men with glossy black moustaches. ‘I’ve always wanted to go to Paris.’

I snorted. ‘She didn’t say Paris,’ I pointed out. ‘She said Calais.’ I looked doubtfully down at the embossed card in my hand, which had ‘Madame Lisette’s Establishment of Young Ladies’ scrawled across the middle in curly black writing. ‘I’m not sure about this, Marie,’ I said.

‘Well, you can do as you please,’ my friend had said with a laugh and a little dance that attracted admiring looks from a group of passing gentlemen. ‘I’m off to France!’

I remembered all of this as we crept silently down the corridor to the yard, where Lisette was bending over the body that lay spreadeagled on the cobbles. ‘She’ll have to be disposed of,’ she was saying in English to someone who was standing just out of sight. ‘We can’t have word of this getting out. Business is already bad enough without my girls getting ripped apart on our own doorstep.’

Marie and I looked at each other in horror – so it was one of our lot after all. I tried to see who the dead woman was but could only see an outflung pale hand and her booted feet, which lay at odd angles to each other.

‘What about the gendarmes?’ someone said and we recognised the calm Welsh voice of Lisette’s right hand woman, Mrs Davies. ‘They ought to be called, Lisette.’

‘I won’t allow it,’ Lisette replied angrily. ‘I’m not having the police crawling all over this place. They’ve been looking for an excuse to close us down for years – I’m not about to hand it to them on a plate.’ She looked down thoughtfully at the dead woman. ‘No, we’ll have to deal with this ourselves before they get wind of what happened here.’

‘The person who did this should be brought to justice,’ Mrs Davies persisted but I could tell by her tone that she knew there was no way of changing Lisette’s mind. ‘If you do nothing then you leave him free to kill again.’

‘We’ll deal with him in our own way,’ the other woman snapped before beckoning the porters forward and speaking in French to them again, sometimes pointing to the corpse at her feet and other times out across the town.

‘Lisette, no…’ Mrs Davies interjected, sounding shocked. ‘She should have a proper burial.’

Madame snorted. ‘And so she will have. Sailors have been burying their men at sea for centuries and see nothing wrong with it.’

‘But what of her family?’ Mrs Davies stepped forward from the gloom now and we could see that her pale face was drawn with worry. She knelt down beside the dead woman and gently lifted her head, which lolled at a precarious angle as she’d had her throat cut clean through. ‘Her family deserve to know what became of her,’ she whispered to Madame.

‘If her family gave a damn about what happened to her, she wouldn’t have ended up here,’ Lisette replied coldly before turning and walking away, pulling her silk robe close around her shoulders. ‘I’ve given my orders and expect them to be obeyed.’ She noticed Marie and I then and gave a small nasty smile that revealed teeth browned by decades of tea drinking. ‘I suppose that I ought to say that you should let this be a lesson to you both, but what would be the point?’ she said before sweeping past us back into the house, leaving in her wake a sense of unease and a strong aroma of expensive French perfume.

Now that she had gone, I crept out from the shadow of the wall where we had been trying to conceal ourselves and went to look at the body on the ground. Mrs Davies had stood up and was wiping the damp and dirt from her dark grey cotton skirts. ‘I wish that I dared to disobey her damned orders,’ she said wryly, ‘but I’d find my stuff thrown out of a window and myself speedily following it within minutes of the gendarmes arriving at this house.’

‘Who is it?’ I whispered as the porters bent over the body and prepared to lift it into a large sack that had been brought from the dilapidated stable at the back of the yard. ‘She said it was one of her girls.’

Mrs Davies gave a sad nod. ‘It’s Betsy,’ she said. ‘I thought she was in bed but she must have gone out to earn a few more bob.’ She swallowed hard. ‘Whoever it was slit her throat and then cut her open. She hasn’t just been murdered; she’s been slaughtered.’

I could see the body now and instinctively recoiled as I looked down at Betsy’s pale face, which had a dark smear of blood on the chin. Her brown eyes were wide open and her rouged mouth hung slack in an expression of startled dismay. ‘We saw it happen,’ I whispered as I took in Betsy’s torn and bloodstained pale blue dress and her damp blonde hair, which had come out of its usually carefully coiled and pinned bun and was trailing across the dirty cobbles.

Mrs Davies gave me a sharp look. ‘Are you sure, Emma?’ She glanced up to where she knew our window was. ‘It was very dark. Perhaps you were imagining things?’

I shook my head, ignoring the warning pinch that Marie gave my arm. ‘No, I definitely saw something. I saw his knife and everything.’ With much huffing and puffing the porters lifted up the body, doing their best to support poor Betsy’s wildly lolling head and deposited it as carefully as they could into the sack.

‘Did you see his face?’ Mrs Davies asked softly. ‘Think carefully, girl.’

Marie pinched my arm again and after a pause, I shook my head. ‘No, it was too dark,’ I lied, crossing my fingers behind my back as I had used to do as a girl.

Mrs Davies looked at me searchingly for a long moment then gave a satisfied nod. ‘Very well.’

We all turned to watch as the sack was placed carefully onto the floor of Madame Lisette’s rather shabby black carriage, which had plainly seen better days before she’d snapped it up at an auction house. One of the porters, who looked most displeased about having to drive out in the middle of the night, then climbed heavily up onto the perch and gathered the reins in his gloved hands. He then briefly touched his cap to Mrs Davies before driving briskly out of the yard, taking Betsy with him and leaving the other porters to throw icy cold buckets of water and thick handfuls of straw onto the bloody cobbles. Madame Lisette had thought of everything in her determination that this crime should go undetected, it seemed.

‘Come on, let’s go,’ Marie whispered to me, shivering as she pulled her thin red shawl closer about her shoulders. ‘I want to be as far away as possible from this place by this time tomorrow.’

I nodded and followed her back into the house, with one last curious look over my shoulder at Mrs Davies who continued to stand quietly in the middle of the yard, while the porters went about their grim business around her.

‘Poor old Betsy, eh?’ Marie said as we went back up the stairs to our room. ‘I wonder what’s going to happen to her stuff now that she’s gone?’ she added thoughtfully, looking across at Betsy’s closed door, which lay across the landing from our own. ‘She had some lovely things, didn’t she?’

‘Madame will have first pickings no doubt,’ I replied, following Marie’s gaze. ‘We should probably wait until…’ I spoke in vain, of course, as the other girl had already turned the door handle and stolen quietly into the dark room beyond.

‘Are you coming in, then?’ she called out and I heard her crash heavily against a piece of furniture and swear with pain and annoyance.

‘I’ll fetch a lamp then, shall I?’ I said rather resentfully before going into our room, picking up a small gas lamp that stood on a rickety blue painted chest of drawers next to the door and then returning to Betsy’s cologne scented bedroom, where I put it down on the small table beside her carefully made bed, which was covered with a pretty patchwork counterpane that I suspected she’d brought from home.

‘I reckon we’re the first to come in here,’ Marie said with much satisfaction, pulling open a drawer and rifling through poor dead Betsy’s stockings and lace edged petticoats. ‘I told you that she had some nice things, didn’t I?’ she said with as she pulled out some pink ribbed stockings and a petticoat with a blue ribbon laced through the edging which she threw onto the bed. ‘Mind you, she always did look like she thought she was a cut above the rest of us poor sluts.’

‘I’m not sure we should be doing this,’ I said, looking around but not touching anything. It made me feel horribly sad to be standing there in a dead woman’s room, seeing her things lying there just had she had left them and knowing that she would never be coming back.

Marie had moved on to the wardrobe beside the window and threw it open to reveal half a dozen light coloured dresses hanging together with little lavender and rose scented sachets tied to each one by a pale pink ribbon. ‘What does Betsy care?’ she muttered over her shoulder as she pulled a pale lemon yellow dress out, held it up against her then threw it onto the pile on the bed. ‘She’s probably at the bottom of the Channel by now.’ She pulled out a pink dress with a pretty rose bud pattern and added it to the pile. ‘I always liked that one and didn’t think it did anything for her.’

I sighed and opened a drawer, not really intending to take anything but at the same time curious to see her things for reasons that I couldn’t really explain other than that she had been murdered and that, in a way, gave her belongings a certain tawdry glamour. Inside the drawer there was a small blue watered silk box and underneath that, a letter inside an opened envelope. I looked stealthily across at Marie, who was busily trying on bonnets and pouting at herself in front of a tarnished mirror, and picked up the envelope, which was addressed to a Miss Alice Harper at Grosvenor Road, Highbury, London. I slid it into my corset then opened the box, which held a small amber cross and a slip of stained crumpled paper that said ‘To my lovely Betsy from her Alice.’ I looked across at Marie again, who had now moved on to Betsy’s shoes, which stood in neat polished rows at the bottom of the wardrobe, then hid the box in my hand.

‘I hope you’ve got enough money for the crossing back to England?’ she said, buttoning up a pair of shiny red leather boots and turning her slender ankle from side to side, the better to admire the effect. ‘Only, I don’t have enough money saved up for both of us.’

‘I haven’t said that I’m coming with you,’ I replied, quietly closing the drawer. ‘I might stay here for a while.’

Marie stared at me. ‘Are you simple?’ she demanded. ‘That madman could come back at any time. Didn’t you hear what Mrs Davies said about what he did to poor Betsy?’ She pulled off the boot, picked up its fellow and added them to the ever increasing pile. ‘He gutted her. Now I don’t know about you, but I’m not staying here to see if he comes after me with that knife of his.’ She picked up another pair of shoes, pale blue this time, and threw them on to the bed.

‘Where will we go?’ I said, resigning myself to the inevitable.

Marie grinned then. ‘I know just the place…’” — by me, 2011.

I’m not actually as good at writing two books at the same time as I thought I would be so I’m concentrating on the Minette book for now before returning to this one once it is finished. Whitechapel (working title) is going to follow the stories of three young women caught up in the murders – a reforming lawyer’s daughter searching for her lost sister; a terrified young prostitute with something to hide and a young policeman’s daughter (based on my own ancestor – is that allowed?) with a secret ambition.

8th September

8 Sep

It must have been Party Central at the Petit Trianon on this day as it was the joint birthday of both of Marie Antoinette’s best girl chums, the Princesse de Lamballe and the Duchesse de Polignac who were not only born on the exact same date but also in the same year. What’s the chances?

Marie Thérèse Louise de Savoie, Princesse de Lamballe (1749-1792).

 

Yolande Martine Gabrielle de Polastron, Duchesse de Polignac (1749-1793).

Also on this day, Annie Chapman, the second victim of Jack the Ripper was found dead in 1888 and it’s the birthday of one of my sons.

Le livre est mort, vive le livre (or something)

15 Aug

It doesn’t seem like all that long ago (January! Crikey!) that I was writing in this little white box about starting my new novel, which was inspired by Edith Wharton’s The Buccaneers but set in London and Paris at the end of the ancien régime and start of the French Revolution.

How time flies.

I’ve just written the very last paragraph of this book and, you know what, I’m really REALLY pleased with it to the extent that I am genuinely sorry to say goodbye to my characters and am starting to wonder if maybe a sequel might be a possibility for them all? Or at least the ones who have managed to escape the clutches of Madame Guillotine. Bwahaha. Oh wait, that’s me, isn’t it?

Now begins the process of polishing my words until they shine and getting ready for publication, which I hope will be before the end of the year. I can’t wait until it comes out though as I genuinely think that this is the best thing that I have written to date and am so SO proud of it.

In the meantime, The Secret Diary of a Princess and Blood Sisters are selling reasonably well in their Kindle forms, which makes me very happy and proud to have produced books that people seem to be actually enjoying.

What’s next? Well, I think I need a bit of a break from the glitter of Versailles and drama of the Revolution so I’m off to Whitechapel in 1888 for a bit of a holiday…

This is what a romance novelist looks like…

23 May

Oh hey there Daily Mail, I hear you got one of your hacks to write a pile of cretinous bilge about my fine friends at the Romantic Novelists Association this week so I thought you might like to see what an actual romance novelist looks like.

Apparently you said RNA members had ‘blue rinses’ – would pink suffice? How about fishnets instead of support stockings? That’s not a colostomy bag that I’m waving so gleefully either…

Dante Gabriel Rossetti

12 May

The Pre-Raphaelite artist, poet and hopeless romantic, Dante Gabriel Rossetti was born on this day, 12th of May 1828.

I’ve always been a tremendous fan of Rossetti’s work – I adore the wistful, melancholy expressions of his models; the rich and sumptuous fabrics of their impractical clothes and the silken tresses of their crimped hair. I also love the atmosphere of over ripe longing and louche romantic misery that pervades his paintings. Women in Rossetti’s works always look like they are waiting for a bus to a hideous dental appointment, don’t they?

On a vain level, it was Rossetti’s paintings that finally made me embrace having red hair after years of bullying. The comments and taunts continued for a long time but I was suddenly able to toss my head about a bit and think ‘Well, you’re clearly just jealous because no one will ever want to paint you as Lucrezia Borgia.’

There’s something refreshing though about the fact that the beauteous Pre Raphaelite muses: Jane Morris, Elizabeth Siddal, Annie Miller and Fanny Cornforth have become almost as famous as the artists who painted them.

One face looks out from all his canvases,

One selfsame figure sits or walks or leans:

We found her hidden just behind those screens,

That mirror gave back all her loveliness.

A queen in opal or in ruby dress,

A nameless girl in freshest summer-greens,

A saint, an angel — every canvas means

The same one meaning, neither more nor less.

He feeds upon her face by day and night,

And she with true kind eyes looks back on him,

Fair as the moon and joyful as the light:

Not wan with waiting, not with sorrow dim;

Not as she is, but was when hope shone bright;

Not as she is, but as she fills his dream.’ — Christina Rossetti.

I must admit though that for a very brief period a few years ago, I very much enjoyed winding up a couple of pretentious art illiterate goth sorts on Live Journal (they richly deserved it so don’t feel bad for them) by recounting the sorry tale of how the Pre Raphaelites in general and Rossetti in particular tend to be shunned by Art History departments and are regarded by many academics to be ‘Bad Art’ (we didn’t study the Impressionists or Klimt at university which leads me to conclude that anything that can generally be found on posters in a student’s room, won’t end up in their lectures).

I actually did a course on the Pre Raphaelites at my university with Dr Gail Nina Anderson (who was lovely) but, tellingly, it was held at 6pm on a Friday evening – the black hole of university lecture timings as every undergraduate’s thoughts are on the Union Bar and the weekend ahead. Nonetheless, those lectures were PACKED.

I’m going to expiate myself never fear as I have plans to one day write a very lurid novel indeed about Elizabeth Siddal…

Anyway, I thought that in honour of his birthday, I would share with you all some of my favourite Rossetti paintings. What do you think? Do you have a favourite? I’ve just bought a big poster of The Beloved from the Tate Gallery and am now trying to locate a nice matching one of Monna Vanna.

*looks around shiftily* Have I made it through this entire post without posting a picture of Aidan Turner as Rossetti in Desperate Romantics? I have been carrying my copy of the original book, which has him on the cover around in my bag for about a year now, completely unread and people (mainly my husband) are starting to talk…

Oops, my hand slipped…

The Crimson Petal and the White – episode two

14 Apr

Still on the topic of Wayward Victorian Girls…

Okay, I’m officially converted to The Crimson Petal and the White. As you may recall, I wasn’t too sure about it after last week but last night’s astonishing and riveting episode made up for all that and I was utterly gripped from the first.

I felt like Henry and Mrs Fox were superfluous in last week’s episode and this feeling continued this week although there was something hideously enthralling about the latter, wild eyed and wasting away thanks to consumption, attempting to seduce the awkwardly chaste Henry with double entendres and judicious loosening of her clothes. Of course it was all doomed as such things always are and went totally wrong at the end as he literally and metaphorically went up in flames.

Luckily not before he’d ventured into the mean streets of St Giles to chat to Sugar’s friend, Caroline, who looked as if she would have been less affronted if he’d paid her a shilling to shag her in a back street than listen to her tragic life story. Which makes sense of course – the men of Crimson Petal’s malodorous and hypocritical London are hale and hearty fellows who totally fail to comprehend the secret and most private inner lives of the wan faced, fading women they control and destroy.

Romola Garai’s Sugar continues to be amazing – bone pale, dark eyes burning with fiery intensity, copper hair tumbling about her thin shoulders as she steals every scene. The shocking revelation in the dessicated, gin wobbling Mrs Castaway’s parlour gives us a further tragic insight into her character and what is running through her mind as she writes her tales of violent retribution against men, which have become concentrated on the person of her lover, William – a man who at first had appeared stupidly selfish, pathetically weak and even ridiculous but is beginning to grow in complexity and wistful sympathy as the series goes on.

He even delivered the one solitary laugh out loud moment last night – if you saw it, you’ll probably know which bit I mean. William’s explosion at his brother was more than just a brief moment of humour though – it was the beginning of the end for the carefully ordered double life, full of aspiration and lies that he had created for himself.

In the second part, William gives her a generous allowance and sets her up in her own pretty flat in Marylebone (typically he fails to realise that she has manipulated him into this and thinks this is all his own idea), telling her that she now has a new life. As Sugar looks around her flat with tears in her eyes, it’s impossible to tell if they are tears of happiness or misery as she realises that she has swapped the rookeries of St Giles for another cage, albeit a gilded one. Still, on the plus side she has more time to write and also enough money now to buy more dresses, dine in magnificent solitude in upper crust restaurants and attend the opera.

In return for his bounty, she becomes more involved in his business and, without his knowledge, his home life as his poor mad wife Agnes, who after developing an eating disorder goes on a drug fuelled bender and vomits over a society lady after informing her that she has a hairy chin, hails her as her very own guardian angel, which she may well be. Poor old Agnes – I hope she kicks her unctuous and molesting doctor in the face at some point.

Once again though, Victorian London is the true star of the show though as the camera lingers lovingly over both the dank, dark slums with their relentless pounding soundtrack of audible misery and woe that Sugar knows so well and the wide open spaces of Marylebone, where she is transplanted, blinking and uncertain, amidst sunlight and birdsong. As for those final shots of the lavender fields…

In summary, absolutely bloody amazing and I can’t wait to see episode three. What did you think?

Emilie Autumn, Bloody Crumpets and Wayward Victorian Girls

13 Apr

As you may have gathered, I listen to a lot of music while writing – not just because I love music but also because I find it inspires me. On my writing playlist right now is a lot of Mesh, Delphic, Kasabian, Florence and the Machine, Lady Gaga (yes, seriously), Muse, Curve, The Dead Weather and Hurts. I’ve also just discovered Sleigh Bells (where have you been all my life) but they don’t really fit with the etherial, romantic yet dramatic feel that I am trying to imbue my book with!

Top of the list though is Emilie Autumn and if you love Marie Antoinette, history, pink hair and Victorian Prostitutes and haven’t got Emilie Autumn on your playlist then you are seriously missing out!

I am a huge Emilie Autumn fan. It’s a bit embarrassing really as it is probably the closest thing to a girl crush that I have going on. It’s hard to describe Emilie’s music, which is definitely NOT something to be embarrassed about as it is marvellous to both listen to and behold – think industrial goth rock with Victorian vaudeville, virtuoso violin playing and the whiff of laudanum and lunatic asylums and you have, kind of, the right idea!

Her songs cover topics like mad Victorian girls, murder victims, Ophelia, Catherine Howard, disappointed brides, Anne Boleyn and Rapunzel. How can you resist?

We went to see her play with her chums, the Bloody Crumpets in Bristol in April 2008 and had a great time along with my fellow Plague Rats (I can’t resist anyone who calls their fans this). Dave took dozens of photos but you would probably all throttle me if I posted them all, so I restricted myself to some of the best! There’s one of Emilie and I together when I met her after the show but I was enormously up-duffed with Oscar at the time so wasn’t looking my pink haired best, plus I look a bit scared which is odd as she was LOVELY and painted one of my fingernails black and also signed my hand, which made me all sad when I had to wash it off.

I also promised to dedicate my book to her – so I’d best finish it, hadn’t I?

If you want to hear more by Emilie Autumn and her Asylum for Wayward Victorian Girls then for starters I recommend:

Opheliac.

Swallow.

Let The Record Show.

Marry Me. (This is a Catherine Howard one, Tudors fans.)

Or you could just do as I did and download everything she ever did from iTunes in a moment of extreme extravagance. This was before I decided to become an impoverished writer, starving in my garret surrounded by the aforementioned plague rats and woebegone misery obviously…

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