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This is what a romance novelist looks like…

23 May

Oh hey there Daily Mail, I hear you got one of your hacks to write a pile of cretinous bilge about my fine friends at the Romantic Novelists Association this week so I thought you might like to see what an actual romance novelist looks like.

Apparently you said RNA members had ‘blue rinses’ – would pink suffice? How about fishnets instead of support stockings? That’s not a colostomy bag that I’m waving so gleefully either…

The Crimson Petal and the White – episode two

14 Apr

Still on the topic of Wayward Victorian Girls…

Okay, I’m officially converted to The Crimson Petal and the White. As you may recall, I wasn’t too sure about it after last week but last night’s astonishing and riveting episode made up for all that and I was utterly gripped from the first.

I felt like Henry and Mrs Fox were superfluous in last week’s episode and this feeling continued this week although there was something hideously enthralling about the latter, wild eyed and wasting away thanks to consumption, attempting to seduce the awkwardly chaste Henry with double entendres and judicious loosening of her clothes. Of course it was all doomed as such things always are and went totally wrong at the end as he literally and metaphorically went up in flames.

Luckily not before he’d ventured into the mean streets of St Giles to chat to Sugar’s friend, Caroline, who looked as if she would have been less affronted if he’d paid her a shilling to shag her in a back street than listen to her tragic life story. Which makes sense of course – the men of Crimson Petal’s malodorous and hypocritical London are hale and hearty fellows who totally fail to comprehend the secret and most private inner lives of the wan faced, fading women they control and destroy.

Romola Garai’s Sugar continues to be amazing – bone pale, dark eyes burning with fiery intensity, copper hair tumbling about her thin shoulders as she steals every scene. The shocking revelation in the dessicated, gin wobbling Mrs Castaway’s parlour gives us a further tragic insight into her character and what is running through her mind as she writes her tales of violent retribution against men, which have become concentrated on the person of her lover, William – a man who at first had appeared stupidly selfish, pathetically weak and even ridiculous but is beginning to grow in complexity and wistful sympathy as the series goes on.

He even delivered the one solitary laugh out loud moment last night – if you saw it, you’ll probably know which bit I mean. William’s explosion at his brother was more than just a brief moment of humour though – it was the beginning of the end for the carefully ordered double life, full of aspiration and lies that he had created for himself.

In the second part, William gives her a generous allowance and sets her up in her own pretty flat in Marylebone (typically he fails to realise that she has manipulated him into this and thinks this is all his own idea), telling her that she now has a new life. As Sugar looks around her flat with tears in her eyes, it’s impossible to tell if they are tears of happiness or misery as she realises that she has swapped the rookeries of St Giles for another cage, albeit a gilded one. Still, on the plus side she has more time to write and also enough money now to buy more dresses, dine in magnificent solitude in upper crust restaurants and attend the opera.

In return for his bounty, she becomes more involved in his business and, without his knowledge, his home life as his poor mad wife Agnes, who after developing an eating disorder goes on a drug fuelled bender and vomits over a society lady after informing her that she has a hairy chin, hails her as her very own guardian angel, which she may well be. Poor old Agnes – I hope she kicks her unctuous and molesting doctor in the face at some point.

Once again though, Victorian London is the true star of the show though as the camera lingers lovingly over both the dank, dark slums with their relentless pounding soundtrack of audible misery and woe that Sugar knows so well and the wide open spaces of Marylebone, where she is transplanted, blinking and uncertain, amidst sunlight and birdsong. As for those final shots of the lavender fields…

In summary, absolutely bloody amazing and I can’t wait to see episode three. What did you think?

Emilie Autumn, Bloody Crumpets and Wayward Victorian Girls

13 Apr

As you may have gathered, I listen to a lot of music while writing – not just because I love music but also because I find it inspires me. On my writing playlist right now is a lot of Mesh, Delphic, Kasabian, Florence and the Machine, Lady Gaga (yes, seriously), Muse, Curve, The Dead Weather and Hurts. I’ve also just discovered Sleigh Bells (where have you been all my life) but they don’t really fit with the etherial, romantic yet dramatic feel that I am trying to imbue my book with!

Top of the list though is Emilie Autumn and if you love Marie Antoinette, history, pink hair and Victorian Prostitutes and haven’t got Emilie Autumn on your playlist then you are seriously missing out!

I am a huge Emilie Autumn fan. It’s a bit embarrassing really as it is probably the closest thing to a girl crush that I have going on. It’s hard to describe Emilie’s music, which is definitely NOT something to be embarrassed about as it is marvellous to both listen to and behold – think industrial goth rock with Victorian vaudeville, virtuoso violin playing and the whiff of laudanum and lunatic asylums and you have, kind of, the right idea!

Her songs cover topics like mad Victorian girls, murder victims, Ophelia, Catherine Howard, disappointed brides, Anne Boleyn and Rapunzel. How can you resist?

We went to see her play with her chums, the Bloody Crumpets in Bristol in April 2008 and had a great time along with my fellow Plague Rats (I can’t resist anyone who calls their fans this). Dave took dozens of photos but you would probably all throttle me if I posted them all, so I restricted myself to some of the best! There’s one of Emilie and I together when I met her after the show but I was enormously up-duffed with Oscar at the time so wasn’t looking my pink haired best, plus I look a bit scared which is odd as she was LOVELY and painted one of my fingernails black and also signed my hand, which made me all sad when I had to wash it off.

I also promised to dedicate my book to her – so I’d best finish it, hadn’t I?

If you want to hear more by Emilie Autumn and her Asylum for Wayward Victorian Girls then for starters I recommend:

Opheliac.

Swallow.

Let The Record Show.

Marry Me. (This is a Catherine Howard one, Tudors fans.)

Or you could just do as I did and download everything she ever did from iTunes in a moment of extreme extravagance. This was before I decided to become an impoverished writer, starving in my garret surrounded by the aforementioned plague rats and woebegone misery obviously…

The Crimson Petal and the White – part one (spoiler free)

7 Apr

I wasn’t sure about reviewing The Crimson Petal and the White as, and I am going to say this as kindly as I can, Gillian Anderson fans can sometimes be a bit INTENSE. They’re not as madly creepy as some David Duchovny fans, but even so. Ask my friend Lucy to tell you what happened when I made a joke on Live Journal about The Red Shoe Diaries. Go on, I dare you.

Anyway, I’m here now and it’s all okay because Gillian Anderson was superb in this so they haven’t got anything to have a go at me about. Other than the previous paragraph of course, but I minced my words a bit there in order to prevent offence so hopefully it will be okay and they’ll just all roll their eyes and say ‘Oh yes, THOSE Gillian Anderson fans are AWFUL and so embarrassing for the rest of us.’

I’ll be honest – I didn’t actually like tonight’s episode of The Crimson Petal and The White at first but then gradually it began to grow on me until I found myself mesmerised and even slightly awe struck when the final credits rolled to the sound of silence and bird song. A nice touch that.

Some of you may recall that I wasn’t sure about the casting of Chris O’Dowd as Rackham but he was actually really good. He looks a bit like my brother in law, which is slightly off putting but I got past that in the end. I really liked Romola Garai’s Sugar as well – there’s something really Pre-Raphaelite about the copper of her hair, her burning dark eyes and almost corpse like tint of her cheek. I can really imagine Rossetti (especially as played by Aidan Turner!) really falling for her.

The muddy, miserable, gas lit world of Victorian London with its soundtrack of consumptive coughs, gin soaked ramblings and baby cries is a familiar one to modern viewers thanks to an endless diet of Dickens and Jack the Ripper and there were no surprises here, other than a bit of a From Hell aesthetic to the scenes of the swirling, dark streets as Sugar leads an intoxicated in more ways than one Rackham to Mrs Castaway’s amazing brothel, which I’d rather like to live in myself.

In summary, it’s pretty good but if you are insanely keen on the book (I like it but I’m not precious about it) you will probably find a lot to complain about. Those of a sensitive nature (and I speak as one who checks Christian film review sites for terrifyingly exact details of potential gore and upset) may want to know that there is some sex (it’s about prostitution) but it’s not exactly the romp fest that some are claiming it to be. This may be a disappointment to any teenage boy viewers out there but ah well, they’ll live – The Only Way Is Essex was on tonight too and they had proper snogging and everything going on!

Did you see it? What did you think?

 

Edit: Apologies if this post is all over the proverbial shop but I am not feeling myself right now. Some vile little scrote thought it would be hilarious to crash into our car while our two children were in the back and then speed off (laughing his head off!) undertaking people and driving on the pavement in his haste to get out of exchanging names and numbers like a civilized person would do. Never mind, my husband and an independent witness (who saw the crash and then got the fright of her life when he undertook her and mounted the pavement next to her to get past! What an utter idiot!) got hold of his registration number so he had the pleasure of a visit from the police this evening. I would have really LOVED to see his face when he opened the door to see them there.

Anyway, we’re still in shock. I was in a total state after it happened and Dave has to go to see our doctor tomorrow as he hurt his neck and is having headaches now. How can people be so stupid and awful?!

Coming soon – The Crimson Petal and the White

18 Feb

This much anticipated dramatisation of Michel Faber’s fabulous book is due to start on BBC2 at sometime next month (March 2011, if you are reading this in the future). It’s had a bit of a chequered history really – it was initially supposed to be a film, with rumours that Kirsten Dunst was to star as Victorian prostitute Sugar. However, it’s now to be televised instead with Romola Garai (Emma, Atonement) playing Sugar instead and, intriguingly, Chris O’Dowd (The IT Crowd) playing her client turned lover William Rackham.

 

I have to say that I’m most excited about seeing the costume and sets as the book was SUCH a lush evocation of Victorian society. Luckily, the few photographs that have been floating around online suggest that it will deliver as much tarnished, decadent Victorian demi-mondaine glamour as you can shake an ebony walking stick at.

What do you think? Did you like the book? Are you looking forward to the serial? I’m rather thrilled that all the dreary, righteous, preachy, tear jerking wholesomeness of Cranford and Lark Rise to Candleford on a Sunday afternoon is going to be succeeded by something a bit more racy.

Things I love: 3: Alleyways

17 Dec

Here is a picture of me in an alleyway, pretending to be Mary Jane Kelly. Yes, I actually said ‘Take a photo of me being Mary Jane Kelly’ before this was taken and this is how it turned out. I think I look a bit too cheerful to be honest.

On the other hand, it could be a lot worse. Some friends and I had a discussion recently about pretending to be Mary Jane Kelly that er I don’t think I’ll share with you now as this is a public blog. It’s worse than you are thinking though. Or maybe not. Actually no, it’s really bad.

Anyway, this is a picture of me in an alleyway. I should point out two things about this picture. Firstly, that it was not taken in the last few months as evidenced by the fact that I appear to be sporting my natural hair colour and secondly, the alleyway is not in Spitalfields but is in fact next to my mother’s old house in an unspecified location in Yorkshire.

Yes, that’s what I look like with no make up on. A few of you have been rather too kind about me lately, which is nice, but as you can see I don’t half look a bit ropey first thing in the morning, especially if I’ve had one too many gins.

I do love alleyways though. I like the way that they are functional and act as a means to get from one place to the other but also at the same time there’s something really furtive and illicit about them. ‘I wouldn’t like to meet him in a dark alleyway’ people say about men they don’t like the look of. Or indeed women.

Or if you are me and one of my friends who will remain nameless (actually a couple of my friends who will all remain heroically and discreetly nameless while I boldly and stupidly put my name to this nonsense) then ‘I wouldn’t like to meet him in a dark alleyway’ means something quite different as our idea of the perfect romantic encounter would appear to involve and here I am going to quote from an email that I received last night: ‘being shoved against a wall in an alleyway’ AND KISSED WITH WILD PASSION AND ABANDONMENT.

I’m not sure why it has become so specific. I mean any old wall would do, but no, it HAS to be an alleyway because alleyways are a bit grubby and secretive and also have a bit of Victorian Prostitute allure to them. It’s like the illicitness of alleyways rubs off onto anything that you might care to do in them, which isn’t always a bad thing. Certainly I have noticed a tendency in all of my books for people to have it away in alleyways – I guess that’s what happens when you write about Jack the Ripper though.

Anyway, this post has been totally derailed so I’d better stop before I say something really terrible. Honestly, I just wanted to talk about how much I like alleyways and instead now all I can think about is that bit in From Hell when Johnny Depp kisses Heather Bloody Graham in an alleyway. Is that on YouTube? Oh never mind, I have the DVD here.

Oh wait.

Did you know that they cut a short scene of Heather Graham actually being a prostitute out of From Hell? You can see it in the DVD extras. I expect that despite the avowed fact that her character was a prostitute, they didn’t want to actually ‘sully’ her by showing any acts of prostitution occuring. It may have helped a bit more though if they hadn’t had her roaming about 1888 Whitechapel looking like a Chanel model with a face full of make up and not a smear of dirt in sight.

And again I digress. Of course, you don’t just use alleyways for kissing! Or for standing around pretending to be Mary Jane Kelly and shouting stuff from the Withnail and From Hell scripts at each other! No no. They’re also good for running up and down when you’re drunk on gin and it’s the middle of the night in Whitechapel. Hang on, I may have a photograph of that sort of thing going on too.

I swear that I was standing upright when this photograph was taken. Honest. This was taken when we decided to tag along with a Jack the Ripper tour one night. It was great actually – we’d already started on the gin and one of my friends, Andrew Ward, was hilariously bewildered by the whole thing and eventually had to find ‘a safe place’ (Oddbins) in which to take refuge. Alleyways have that effect on people, I find.

I’ve been on quite a few Jack the Ripper walks in my time. I reckon I could do an amazing one of my own actually, but as I don’t live in London any more that’s unlikely to actually happen. My favourite thing to do though is to lie in wait and JUMP OUT on tours when they aren’t expecting it. That’s just about the MOST fun that you can have in alleyway.

I once asked a Ripper tour guide if he minded people springing out on them and he said that actually he liked it as it added a bit of a frisson of excitement to the whole thing. I took that as permission to continue. He also said, usefully, that the best time to go on a Ripper walk is the week of Bonfire night as there’s a good ambience going on.

That photograph was taken in one of the best alleyways ever, which is just off Artillery Lane in Whitechapel. It used to have this excellent piece of graffiti at the end but it appears to have gone now, which is very sad indeed.

Before I say adieu to this much edited shambles of a post, I would just like to share this photograph of my friend Sarah with you. This is not just any old pavement that she is lying on. No. This is in fact the very spot that the body of Catherine Eddowes was discovered on and thanks to some direction from me, Sarah is lying in an approximation of the exact same pose too. I love my friends.

So there we have it. I love alleyways and I don’t care who knows it. Probably.

Jack the Ripper: the nemesis of neglect

30 Nov

 

I have a confession to make. Are you ready for this? Okay, here goes:

I don’t know who Jack the Ripper was. In fact, I don’t even really have much of an opinion about his identity.

There. I’m sorry about this,really I am. It must be such a disappointment to all the hundreds of people who’ve asked me who my ‘favourite’ suspect is only to be regaled with the spectacle (either in real life or online) of me shuffling my feet, ummming a bit then either changing the subject or, most often, embarking on a rant that follows the same general path as the blog post I am currently trying to write.

Yes, I still self identify (very much in fact) as a Ripperologist BUT unlike a lot of my fellow Ripper obsessives, I am not actually all that interested in uncovering the identity of the murderer who stalked the streets of Whitechapel all those years ago. Don’t get me wrong: I’m not totally uninterested, but it’s not the major focus of my attention.

No. You see, for me, the main interest is the victims rather than the killer. I want to know more about their lives, about the world they inhabited and about the unfortunate circumstances that brought them to their fate. In fact, I find them endlessly fascinating.

It didn’t occur to me that my interest in the Ripper’s victims was anything unusual until I was talking to a friend recently and she mentioned how much she had enjoyed my blog posts about the Ripper’s murders and in particular all the detail about the lives of the victims themselves, whose names and circumstances she had not previously known. It was only then that it occured to me that whereas most people know the name of Jack the Ripper, as he has come to be known, not many could tell you the names of the women whose lives he so wrongly and cruelly took.

I’ll admit that the rich history of the area, the awful fact that thousands lived in the most harsh poverty in the capital city of an Empire and, most tenuously, the gaslit foggy ambience of the tale are all really compelling but the identity of the elusive Ripper? No, not so much.

Of course, if you really press me, I’ll come up with a name or two but I’m not ferociously keen on any suspect in particular. You won’t catch me going all mental like Patricia Cornwell to prove anyone’s guilt. No, that’s not me at all.

Ah, okay, you want names do you? Well, right now, and you have to remember that I am writing this while I am in the midst of my research for my book about the Ripper’s last victim, Mary Jane Kelly, I would say that my head says that Dr Tumblety is the one, while my heart has a bad feeling about that George Hutchinson.

So there you have it.

As autumn slides away into winter and November passes into December, I’ll be having a gin tonight for Mary Ann, Annie, Elizabeth, Catherine and Mary Jane.

Cover Her Face – Chapter 1 NaNoWriMo

10 Nov

Like loads of people that I know, I gamely started a NaNoWriMo (National Novel Writing Month) project at the start of November but then had to pull out after just a day when my RSI reached a critical point and my GP ordered me to desist immediately.

I will also admit that I was put off by snide comments on Twitter and elsewhere, both from a few established writers getting really up themselves about the whole thing (‘Oh dear, just look at all the silly unpublished writers trying to be like us and churning out loads of rubbish’) and people who have clearly never written anything more taxing than a mean spirited Tweet being really drearily crap about it (‘If any of you had any talent you wouldn’t feel the need to do this. Real writers write every day, not just for a month you losers!!111!11 Lol.’) I shouldn’t have been put off by this but I’ll put my hand up and admit that I was. Sorry.

Anyway, to make up for that, here is the first chapter of my project, which is a fictionalised account of the life of Mary Jane Kelly, the final victim of Jack the Ripper. I’m carrying on with it until the bitter end (even though I have no real idea what that end will involve) and it needs a lot of work, obviously, but it’s a start anyway.

 

 

My name is Mary. Or maybe it isn’t. Maybe it’s Emma, Marie Jeanette or Cornelia. I’ve told so many lies now, spun so many different highly coloured and fanciful versions of my life and deceived so many people, most of whom didn’t deserve it that sometimes I don’t even think I know myself any more. I’m not a total fool, I don’t lie awake in my cramped bed at night and wonder who I am and why I am here, I leave that sort of nonsense to the poets and philosophers amongst my clientele, but sometimes, just sometimes I find myself looking in the little tarnished mirror that I have carried in my pocket since I was a girl and frowning a little as I try to recognize myself.

‘Who are you today?’ I whisper, my cherry scented breath steaming up the glass, as I peer closely, taking in every detail of my face, missing nothing and at the same time not really seeing anything at all. Yesterday I was a painted courtesan, dancing sensuously in front of a bedazzled business man as he sat corpulent and with legs spread far apart, this morning I was foul mouthed and aggressive with the other women at the water pump while this afternoon I wept bitter but becoming tears of pure boredom as a besotted poet read me his latest work while I lay naked and shameless upon his threadbare russet velvet sofa. Tomorrow I’ll be someone else, maybe demure and artless for a slumming Lord or perhaps as brazen and magnificent as a fallen angel for one of my actors.

So where did it all begin? It all depends on my mood and who I am talking to and how much money they have jingling in their pockets so if you believe one version I was born miserable and ragged into grinding, dismal poverty in Ireland and if you believe another my parents were prosperous but straight laced religious people from Cardiff and oh, I was such a disappointment to them with my flighty ways and red slut’s mouth and if you believe yet another I was born in Bristol to colourful, exciting music hall folk who travelled up and down the country with their show. In that version I made an unexpectedly early appearance backstage as my mother was getting changed into a pink silk dress for her final number. Frankly though, if you believe that one, then you will believe anything.

Right now though, I’ve had a good day despite the poet and you look like a kind soul, so I think that today I was born barefoot but happy in a village in Wicklow, Ireland to ordinary, honest people who loved me. Tomorrow the infant me might not be so fortunate or, who knows, maybe she will be born on silken lace edged sheets into the aristocracy then snatched away from her rich and adoring parents in the middle of the night by sloe eyed gypsies who will raise her up as their own? I’ve told that one before to a couple of gentlemen and it seemed to go down quite well. They like to pretend that I have a bit of class, you see and they like a bit of mystery too plus the possibility that they might be fumbling with their own long lost sister always seems to get them going a bit.

The truth is that I didn’t live in Ireland for long, as by the time I was able to run and charmingly lisp a few words, our whole family had got onto a boat and sailed across the sea to Wales, first to a village near Caernarfon and then to the grey sprawling town of Flint, where my father worked as a foreman in the local colliery. I was just a baby when we left so don’t remember much about Ireland, but the dark clouds and brooding mountains of Wales never felt much like home to me and I remember being terrified as a child of the long columns of miners returning home at dusk, their faces covered in black dust, their eyes and teeth gleaming white as they grinned like devils at we children hiding behind our mothers’ long skirts.

I was born in November, a time of bonfires, long nights and magic. My mother was always telling me that – she had a fey, distant look about her that kept the superstitious village children away and made their mothers gather together in doorways and stare at her angrily with their arms crossed defensively across their ample aproned bosoms as she strode alone down Castle Street, her long corn coloured hair hanging loose down her narrow back and her lips moving silently as she smiled up into the sunshine.

‘What are you saying, mama?’ I asked once as I skipped alongside her through the meadow around the castle prison, swishing a stick through the long green grass and laughing as the insects flew upwards and settled on my blue cotton skirt. ‘Are you praying?’

She laughed but caught defensively at the heavy, slightly tarnished gold cross that swung at her throat. ‘No, child, I am not praying.’ She turned her wide grey eyes upon me and smiled. ‘It’s just some poetry that I have loved ever since I was a little girl like you.’

I whacked the grass again with my stick. ‘Will you tell me it, mama?’

She looked away, a crimson flush rising from her neck and spreading to her ears, where tiny gold hoops glittered in the sunshine. ‘Maybe some other time, child.’

I understood of course. Mama was mysterious and seemed to hear and see things that weren’t really there, a bit like a dog that sits next to the door with its paw lifted, waiting for a call that may never come. Papa was very different though. He was a kind man at heart, but a prosaic one, a big tall Irishman with bright red whiskers who sighed and rolled his eyes when mama talked about the books she liked to read or the paintings that she saw when she was a little girl and her own mama took her to the big gallery in Dublin. He humoured her as much as he could, letting her stick her little tinted art postcards all over the house and pretending to listen for a few minutes when she read aloud to him from her old, broken spined books but you could tell that he really didn’t understand at all.

I once listened to them arguing at night when they thought we were all asleep. I lay very still, hardly daring to breathe in the big cosy bed in the corner of the kitchen that I shared with my older sister Eliza and listened as my parents hissed at each other across the table as they cleared away the dinner things. My father said terrible things about how he shouldn’t have married her, how his mother had warned him against it and how he hadn’t wanted to really but then she had fallen pregnant with Eliza and trapped him, while my mother sobbed and nervously clattered the already chipped and cracked blue and white china plates that she was stacking up.

‘It wasn’t like that,’ she weakly protested. ‘Don’t you remember?’

My father heaved a great sigh, a sound that all of we children knew meant that he was exasperated beyond all endurance and a whisker away from losing his temper. ‘I remember thinking you were a mighty pretty piece, Ellen. I just didn’t bargain for your odd ways.’ He lowered his voice. ‘I worry that you’ll pass them on to our girls and then what will happen to them? Our younger girl is already starting to get airs and graces and is talking about becoming an actress.’

‘If that is what she wants to do…’ my mother began and I heard the whisper of her red cotton skirts as she carried the rest of the bread to the little pantry beside the kitchen.

My father thumped his hand down on the table and for a moment I forgot that I was supposed to be asleep and snapped my eyes open, catching a quick glimpse of his profile as he leaned over the table, his face red and angry in the candlelight before I closed them again. ‘No daughter of mine is becoming an actress,’ he hissed. ‘I won’t have our name shamed in such a way.’ He went after my mother, who was still in the pantry. ‘I won’t have it, Ellen.’

‘We can’t stop her, John,’ I heard her say. ‘She’s determined and will have her own way.’ I imagined her gently placing her hand on his arm and forcing him to look at her. ‘You know how our girl can be when she sets her mind on something.’ She gave a little laugh and I sensed my father’s reluctant answering grin. ‘She’s just like you, John.’

They came back into the kitchen and I heard the squeak of a chair against the tiled floor as my father sat down and then the happy sighs as he pulled off first one boot and then the other and threw them so that they fell in a heap of leather and laces beside the door. ‘I know, Ellen,’ he said with his low laugh that I loved so much and I heard the swish of my mother’s skirts as he pulled her close to him and lifted up his face for a kiss which she soundly gave him. ‘My mother may have been set against you, but I was determined that we would be wed and so we were.’

‘And so we were,’ she agreed, kissing him again. After a while they went upstairs to their little room beneath the eaves and the familiar strange squeaking thumping sound would start, which I tried to drown out by pulling the pillow out from underneath my sister’s head and putting it over my own. I didn’t know quite what it signified but I already knew that it was something that I wasn’t meant to hear.

After they had presumably gone to sleep and silence had fallen over the little house, I mulled over what had been said. I had known of course that my father would be opposed to my chosen path in life but my mother’s accepting attitude came as something of a surprise to me. I was so used to her gentle, other worldly gaze and her silences that this opposition, this going against my father was shocking and also extremely heartening.

I lay awake for a long time that night, stretching out my toes beneath the thin cotton sheets and scratchy woolen blanket and trying to ignore the soft snores of my sisters as I dreamed of the glorious adventure that lay before me, the thrill of performing in front of adoring, applauding audiences, of the glamorous costume changes, of seeing my name written on the crudely printed play bills that would be pasted all over the walls of the town.

I saw myself standing on a stained wooden stage, dressed in a rich pink, yellow and gold silk robe, thick black kohl around my eyes and red rouge on my lips with my auburn hair hanging loose about my shoulders and a silver paper crown, studded all around with glass jewels upon my head. Close up I looked tawdry, cheap, a fraud but from a distance, I was magnificent as evidenced by the cheers and whistles of the crowd as they threw red, white and orange flowers at my feet.

I had seen exactly this only a few years beforehand when my mother had taken my sisters and I to see a play in Cardiff and afterwards the leading lady had stepped forward into the light cast by the smoking tallow candles at the front of the stage and had bowed graciously from the waist as with open arms she accepted the wild applause of the audience. My sisters had been silent and unimpressed by the whole experience but I had gazed up, entranced, at her, clapping until my palms smarted and ached and wishing with all of my heart that I was the one standing there before them all, showing off my talents and being praised.

I fell asleep just before dawn, curled up on my stomach, my arms wrapped around myself, pulling my secret dreams close to my heart.

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