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Wednesday 16th October 1793

16 Oct

The woman appears much older than her thirty seven years, dressed in a shabby rusty black gown with a patina of faded mould around the hem and a crumpled fichu arranged around her shoulders, she looks exhausted and pale as she slumps on the rough wooden bench. Her prematurely grey hair falls in untidy ringlets from beneath her white linen cap and her red rimmed blue eyes peer through the candlelit gloom at the crowd of unsympathetic black clad men who stare back at her.

‘Do you have anything to add to this sentence, Citizeness?’

The woman pauses then frowns and shakes her head, her eyes fixed on the large medal that swings on a ribbon around his neck. ‘La loi’ its engraved writing proclaims. ‘The law.’

‘Then you are dismissed.’

They all continue to stare as the woman stands up, automatically shakes out her skirts as though they are made from the finest silks and brocades instead of plain cotton then begins to walk silently from the dark courtroom, limping slightly thanks to the painful rheumatism that has lately begun to affect her joints and makes them creak and grind agonisingly against each other.

‘She looked surprised,’ one of the judges whispers to another, the enormous black plumes tucked into his hat waving as he sniggers nastily. ‘Did she think, perhaps, that we would let her go?’

If she hears him, she gives no sign as with a weary effort she lifts her chin and leaves the chamber, walking passively in the middle of the crowd of silent, grim faced gendarmes who lead her back to her shabby cell on the ground floor of the prison, her high red heels clicking slightly on the terracotta tiled floor.

One of the gendarmes peers out of a thin window set into the thick stone wall and takes out his watch to check the time: it is 4.30 in the morning and outside the damp walls of the Conciergerie there are the first purple and pink glimmers of the approaching dawn above the restlessly slumbering city. He notices then that the woman beside him has paused and is leaning slightly against the thin rope that leads down the spiral staircase that leads down to the cells, panting slightly and holding her side.

‘Citizeness, would you like some water?’ he asks in a low voice, cautious in case this small act of kindness should be overheard by the wrong ears and later used against him.

The woman looks at him in surprise then nods. ‘That is very kind of you, citizen,’ she murmurs, her eyes widening further as he then, after a moment of deliberation, removes his hat and offers her his arm – a gracious action of now old fashioned courtesy that she has not seen for a very long time. She looks at him more closely, noting that he is young and has a tanned, open, honest face that marks him out a provincial, not a Parisian. She wonders if he is one of the men who accompanied her husband to his death or took her young son away from her, but then concludes that they all look the same these new men of the people in their sombre blue uniforms and with their closed expressions and besides, it hardly matters any more anyway.

They carry on to her cell and she can hear the murmurs of the other prisoners as she goes past, can sense their eyes staring at her from between the bars of their cells. She has been in this prison for a few months now, the long empty days and nights sliding into each other. She had hoped that she would be allowed to mingle with the other prisoners, perhaps see a few friendly faces but instead she had been kept apart from the outset, able to hear their laughter, tears and chatter from her high, barred window that overlooked their exercise yard but unable to communicate in any way.

Rosalie, the maid who has cared for her in prison, is waiting for her in her cell and the woman sees straight away that she has already heard the news and is doing her best to fight back tears, to appear as jolly and confident as usual. In the past the woman had had dozens of maids, haughty, fashion obsessed young women with deft fingers who could expertly tie a corset, fasten a diamond necklace or curl her long fair hair. In contrast, Rosalie has short, stubby fingers, frequently knocks things over and has no idea how to dress hair properly. She is worth a hundred fashionable maids though and shows the woman a loyalty, kindness and friendship that she had not known was possible and believes to be a God given comfort in these, her final hours.

‘They have brought paper and ink, Citizeness,’ the girl says now, proudly showing them to the woman. ‘So that you can write a letter.’

The woman, who had once caused ripples of consternation and annoyance throughout Europe for both her unwillingness to put pen to paper and general inability to form a coherent sentence in any of the languages that her mother had painstakingly ordered that she have lessons in, sits down with alacrity at the rickety little table, words already tumbling around in her mind as she pulls the paper towards her.

For a few moments she deliberates over who the letter should be addressed to – her brother perhaps? One of her sisters? A few words of wisdom for her children? Or perhaps it should be to one of her brothers in law, who had been fortunate enough to escape France a few years before. No. There is only one person left on earth who had the right to hear the condemned woman’s final thoughts, to be entrusted with her last wishes and messages.

‘Ce 16 octobre, à quatre heures et demie du matin.

C’est à vous, ma soeur, que j’écris pour la dernière fois…’

The pen is cheap and scratches horribly against the paper as she writes to her sister in law, Élisabeth, who is also a prisoner in Paris, fully aware all the while that there is a very high probability that her letter will never reach its intended destination and will instead fall into hostile hands. Nonetheless, this is a chance that she is willing to take as she writes speedily, crossing hardly anything out so precise are her thoughts at that moment, so clear is her resolve about what she must say before it is too late.

When the letter is finished, some of the words obscured by the bitter tears that she could not control as they dripped onto the paper, she then takes out her battered prayer book that has been a constant comfort during her imprisonment and writes:

‘This 16th of Oct. at 4.30 in the morning
My God, have mercy on me!
My eyes have no more tears
to weep for you my poor
children; farewell, farewell!

Marie Antoinette’

This done, she sits for a moment in silence, watching the guttering flickering flame of the cheap stinking tallow candle that rests in its pewter pot on the table. It casts large shadows on the damp walls of her cell and she looks at them with exhausted disinterest, remembering a time long ago when she and her sister, Carolina had pretended they were monsters from the fairytales that their poor beleagured governess had liked to tell them at bedtime.

‘Citizeness, you should try and get some rest,’ Rosalie whispers as the gendarme who has been posted to sit in the corner of the cell and watch the two women, stretches and yawns.

Marie Antoinette hides a smile. What is the use of rest now? She obediently gets up though and lies on her bed for a while, crying silently and thinking about those who are dear to her, her hands curled up into desperate fists that she crams into her mouth to stifle the screams that would otherwise overcome her.

The hours pass until finally, Rosalie touches her gently on the shoulder to ask if she would like to eat something. Marie Antoinette shakes her head, thinking that she would surely choke if she had to swallow something now. ‘I do not need anything,’ she murmurs so quietly that Rosalie has to lean in closer to be able to hear her. ‘All is over for me now.’

‘Citizeness, you will feel stronger if you have something to eat,’ the girl urges. ‘I can make you a bowl of bouillion, if you would care for it?’

Marie Antoinette’s stomach rumbles hungrily as she thinks of the soup and for a moment she wonders at the way that even though it is so close to death, her body still has its needs and demands. Surely it should be above hunger now, she thinks.

It does not take Rosalie long to prepare the soup and her mistress sits silently on the edge of her narrow bed, ignoring the staring gendarme and only looking up briefly to give a flickering, wan smile when the girl hastens back, bearing a white bowl filled with steaming bouillon and a plate with a few pieces of bread.

‘Please try to eat,’ she implores. ‘I know that you don’t think that it is worth it, but you want to seem strong don’t you?’ She wipes away a tear and lowers her voice. ‘We can’t have you fainting, Citizeness.’

Marie Antoinette nods, seeing the sense of the girl’s argument. She has lost a lot of blood lately from a protracted menses that began shortly after her arrival at the Conciergerie and has continued ever since. Once upon a time, a crowd of court doctors had been called to attend upon her every sneeze or headache but now as she slowly weakens and her body betrays her by adding to the daily indignities that she already suffers, there is no one to care for her.

She takes the bowl of soup onto her lap and dips the spoon into it. ‘Noodles, Rosalie?’ she asks.

The girl beams, pleased that her mistress has noticed. ‘Your favourite, Citizeness,’ she says. ‘To give you more strength.’

Marie Antoinette smiles to herself as with an effort she swallows some of the bouillon, savouring its rich, meaty flavour as she rolls it around her mouth. At Versailles, she had horrified the court chefs, used to catering for generations of greedy Bourbons with her insistence upon only eating the simplest and freshest of foods and then only in the smallest of portions. Now though she thinks back regretfully to the banquets of richly spiced meats, cakes, jellies and creamy sauces that she had determinedly ignored while pushing a few pieces of plain boiled chicken around her green and white Sèvres plate.

‘Have you thought about what you want to wear,’ Rosalie asks, this time looking nervous. Marie Antoinette notices that she is twisting her spotless, white cotton apron between her hands as she speaks. ‘It’s just that the Committee of Public Safety have sent a message saying that you are not to wear mourning.’

She stops eating and stares up at her. ‘I am not to wear mourning?’ It had in fact been her attention to go to her doom dressed all in black, to both show proper respect for her dead husband and also to remind the populace of his fate. ‘But this is preposterous.’

‘I am sorry, Citizeness,’ Rosalie says, clearly miserable that it fell to her to deliver this edict from above. ‘You are to wear any colour but black.’

Marie Antoinette, a woman who once had the command of one of the most enormous wardrobes the world has ever seen, stuffed full of dresses in all conceivable hues, in all possible fabrics and who once as a young girl refused to wear black because it made her cheeks look too pink, can’t help but smile at the irony of this moment. ‘But I have only one dress that isn’t black,’ she says.

Her clothes and toilette had once been the hot topic of conversation throughout Europe and indeed the whole world. People had jostled each other out of the way as she passed by on her way to Mass at Versailles and Fontainebleau, just to see what she was wearing on that day. She, her ladies in waiting and her favourite modiste Rose Bertin had spent hours upon hours sitting together in her delicate white and gold sitting room beneath the palace eaves, their heads close together as they plotted another amazing outfit that would bedazzle and awe all who saw her in it.

Her wedding gown alone had preoccupied the courts of both Vienna and Versailles for several months as they rowed about the precise type of lace that should edge the wide panniered skirts and the quality of diamonds that littered the stiff taffeta stomacher. How odd then that her final toilette, the dress that she was to wear on this, her last and most crucial appearance should be such a contrast.

Rosalie brings out a simple white cotton dress and places it on the bed as carefully as if it were made of gold thread and covered with starbursts of diamonds and pearls. They stand for a moment and stare at it before Marie Antoinette gives a tiny nod and slowly, with shaking fingers pulls off her cap.

‘Monsieur, please could you do the goodness to turn away and look at the wall?’ she asks the gendarme, who mulishly shakes his head.

‘Orders are orders, Citizeness,’ he says.

‘For the love of God, Monsieur, have you no compassion?’ she is shaking with rage and upset now, conscious all the while that her body has betrayed her once more and again blood is seeping from her, staining her white linen chemise, which will now need to be changed.

‘Citizeness, I will do my best to shield you,’ Rosalie whispers with a dirty look at the man, who shrugs unconcernedly and goes back to examining the black dirt beneath his fingernails.

Awkwardly, clumsily the young maid removes Marie Antoinette’s clothes, doing her best to hide her at the same time and finally holding up a threadbare sheet as her mistress, pink cheeked with shame, removes the stained chemise and swiftly pulls on a fresh one before fastening a black petticoat around her waist, praying that this will hide the blood from view.

It does not take them long to dress her and Rosalie stands back and gives a sad, satisfied nod before she pulls a tiny pair of scissors out of the pocket that hangs at her hip. ‘I thought you might prefer it if I was the one to cut your hair, Citizeness?’ she whispers. ‘I hear that Sanson, the executioner, can be very rough and wanted to spare you that.’

Marie Antoinette gives a tiny gasp and reaches up to touch her hair, thinning now and grey where once it had fallen in luxurious, silken strawberry blonde ringlets to her waist. ‘Oh no,’ she whispers, tears springing to her eyes. They had cut her hair once before, when she was a child and was recovering from small pox and she still remembered sobbing as she perched on a too high chair, watching her long curling locks piling up around her pink silk slippers.

‘I am sorry, Citizeness, but it must be done,’ Rosalie murmurs.

Her mistress nods then and sits down on the bed, staring straight ahead as with a sad sigh the girl sets to work shearing the former Queen’s once beautiful hair, which had been so gorgeous at one time that a shade of silk had been named after it and for an entire season all the most glamorous women in Europe had worn shoes in the shade of ‘Cheveux de la Reine’. Some long white strands fall across her hands as she holds them in her lap and she picks them up to curiously examine them before listlessly allowing them to drift to the floor.

(Originally posted on this day last year.)

Smashwords

11 Oct

Quite a few people have asked if my first novel, The Secret Diary of a Princess is available in anything other than Kindle format and I just thought I’d let you all know that it is now also available for $3 from Smashwords for a whole plethora of platforms including Nook, Kobo and Sony Reader as well as a PDF that can be read on your computer! Woo. I know.

The dramatic and often tragic years of Marie Antoinette’s early life, told in her own words. This book follows her privileged childhood and adolescence in the beautiful palaces of Vienna as the youngest and least important of the daughters of the all powerful Empress Maria Theresa of Austria and invites the reader to share the long journey, both emotional and physical that ended with her marriage to the Dauphin Louis of France at Versailles.

This is the unforgettable story of a charming, fun loving and frivolous young girl, destined for greatness, coming to age in one of the most magnificent and opulent courts that the world has ever seen.

‘As soon as the introductions were over, the King took my hand and led me to the Dauphin, who I had barely noticed since entering the room. He seemed to be trying his best to hide from view and looked uncomfortable and ill at ease in his suit of white satin, sewn all over with diamonds and gold embroidery and I noticed with irritation that he was scratching at his neck underneath the fine white linen of his shirt collar, leaving red scratch marks beneath his powdered wig.

‘Are you ready?’ the King asked as he gave my hand to the Dauphin. ‘All of Versailles awaits you.’

I nodded, feeling the Dauphin’s hand grow hot and clammy against my own. ‘I am ready.’

In other book news, I am romping towards my thousandth sale on Kindle! I know this won’t sound like much to most of you, but when you’re always being told, sneeringly, that the average self published book sells less than ten copies, I think a bit of celebration is allowed!

Oh yes, and Blood Sisters, my saga set during the upheaval, drama and woe of the French Revolution is still 99c from Amazon US and 86p from Amazon UK for the next 24 hours.

Marie Antoinette’s French grandmother

14 Sep

Papa considered himself to be French,’ Amalia reminded me with a smile. ‘He was born there and his Mama was a French princess and niece of their Sun King, Louis.’ 

 I sighed. ‘So in a way I am a part French too?  I always forget that.’ A portrait of our Grandmama, the Princesse Élisabeth Charlotte d’Orléans hangs in what used to be Papa’s room in the Hofburg and I have often admired her pretty, heart shaped face and large brown eyes which she had inherited from her wicked papa, Philippe d’Orléans.’

Louis XVI and Marie Antoinette were cousins as they were both descended from Philippe, Duc d’Orléans, the controversial younger brother and only sibling of Louis XIV who is a complex character, famed for both his liking for pretty young men and his extreme natural cunning and bravery in battle.

He always looks so sad,’ I said now remembering the way that he had looked at the Dauphin and I in the carriage earlier. ‘Sad and disappointed.’

 Madame la Comtesse shrugged her thin shoulders. ‘He has had much in his life to make him sorrowful,’ she said. ‘He once told me that he believed himself born to be unhappy as his grandmother was the grand-daughter of the English Princesse Henriette and that like all Stuarts he has a melancholy, even morbid turn of mind.’ She laughed. ‘They also have a tendency to lose their heads.’

Perhaps fittingly, Louis was the great great great grand-son of Philippe, also known as Monsieur and his flighty, pretty, delicate first wife, the Princess Henrietta Anne of England, who was youngest daughter of the troubled Charles I, with whom Louis had more than one thing in common.

Marie Antoinette, on the other hand was the great grand-daughter of Monsieur and his second sensible, plain talking, Protestant wife, the German princess Elizabeth Charlotte (Liselotte), who was the grand-daughter of Elizabeth of Bohemia, daughter of James I and so yet another sprig on the Stuart family tree.

Marie Antoinette’s French grandmother, Élisabeth Charlotte d’Orléans was born to Monsieur and Liselotte on the 13th September 1676 at the Château de Saint-Cloud, which had been perfected by her father over the years and had a commanding view from its terrace towards Paris. Later, this beautiful summer château would cause controversy when it became the personal possession of Marie Antoinette, but at the time of Élisabeth’s birth it was still, along with the Palais Royal in Paris, the primary seat of the Orléans family.

As niece of Louis XIV, the little girl was one of the first ladies in France and was given the courtesy title of Mademoiselle de Chartres, which she would use until the marriages of her elder half sisters, the daughters of Henrietta of England were married and she was given the title of Madame Royale to signify that she was now the premier unmarried princess in the country.

Élisabeth’s childhood was a happy one and was divided between Saint Cloud, the Palais Royal and the residences of her dread uncle, Louis: Versailles, Marly and Fontainebleau where she was an honoured denizen. Pretty and gloriously dressed in shimmering silks, velvets and brocades, Élisabeth was every inch the French princess, however beneath the gorgeous clothes there beat a rebellious heart which made her fond parents frequently despair of her frankness, wild behaviour and tomboyish escapades.

Like all princesses at this time, Mademoiselle de Chartres would have been raised in the full knowledge that she was no doubt destined to one day marry a man that she had never met and travel abroad to preside over his court, probably to never see France ever again. The fates of Louis XIV’s bevy of beautiful indolent illegitimate daughters by Louise de la Vallière and Athénaïs de Montespan must surely have aroused envy in the breasts of many French princesses as, unable by the stigma of their birth to marry foreign princelings, they alone had been permitted to remain at Versailles and had been married off to the most high ranking noblemen of their father’s court, including Élisabeth’s brother, much to her mother’s fury.

It is said that Liselotte was so enraged that Philippe had agreed to their eldest son and heir, the Duc de Chartres marrying the daughter of Athénaïs de Montespan, who had once been lady in waiting to Philippe’s first wife, Henrietta, that she slapped her son’s face in front of the entire court then, worse still by the standards of the day, pointedly turned her back on Louis XIV and stomped off, ignoring him, when he wished her a good day.

Luckily, the marriage of her only daughter, Élisabeth was a bit more to her liking and in fact she must have felt some relief when a match with Joseph of Bavaria, the younger brother of Madame la Dauphine was suggested to the girl and, outraged, she declared that she had no intention of marrying a younger son.

Fortunately for Élisabeth there were several suitors for her hand, including the Emperor Joseph I and William III of England, the widower of her cousin, Mary II of England. It was also tentatively suggested that the Princess marry her cousin, the Duc de Maine, another one of La Montespan’s good looking, merry, witty children but her mother nipped this in the bud.

Élisabeth was eventually married at the age of twenty two, which was absolutely elderly by the standards of the day, to the Duc de Lorraine, who was a bit of a step down for a Princess who had been considered a suitable bride for a King and Emperor. The wedding was a very grand affair and took place on the 13th of October 1698 in the chapel at Fontainebleau in front of her family and the entire court, who were probably relieved to have her married at last and also to someone who wouldn’t prompt her terrifying mother to lose her temper with the King.

It wasn’t a love match and had been engineered by necessities of state, but Élisabeth and her new husband, Leopold fell deeply in love and were to be immensely happy together bar a rough patch in the middle of their years together when he had a bit of a mid life crisis and took up with a glamorous French noblewoman. Their chief residence was the Château de Lunéville, which her husband extensively rebuilt and which became known as ‘the Versailles of Lorraine’.

The proximity of Lorraine to Versailles and Paris meant that Élisabeth was a lot more fortunate than many other Princesses, including her own grand-daughters, the daughters of her son Francis and Maria Theresa, who were sent away from home at an early age never to return. Élisabeth, on the other hand, was still able to see her family if not as much as previously then more often than perhaps she could have hoped for before her marriage. She was even a guest at all the great events of the time, including the coronation of her cousin, Louis XV at Rheims Cathedral.

Astonishingly, the marriage of Leopold and Élisabeth produced thirteen children over the years although, like her son and his wife, they would know the extreme sorrow of losing several of them in infancy, including three in the same week to an outbreak of smallpox, which would also be the scourge of the Imperial court.

Francis, the couple’s eldest surviving son and heir to the Duchy of Lorraine was born in Nancy, Lorraine on the 8th of December 1708 after the couple had suffered a temporary estrangement when Leopold had briefly taken up with a mistress and poor Élisabeth, suffering agonies of jealousy and hurt, had pretended to look the other way while they carried on under the same roof.

Francis would go on to capture the heart and then hand in marriage in February 1736, of his cousin, the young Empress Maria Theresa of Austria and would become father of Marie Antoinette, who was said to be his favourite child and like all of the Imperial children bore the name Hapsburg-Lorraine in tribute to their father’s duchy, which he had, much to his sorrow been forced to give up in exchange for the Duchy of Tuscany as part of the terms of his marriage. It’s said that despite being madly in love with Maria Theresa, he had hesitated while in the very act of signing the marriage contract and had in fact put down the pen several times before finally signing so unhappy was he about giving up his duchy to France (it’s complicated but there was a war and the French had always had their eye on Lorraine and so decided to nab it and so on).

His mother was deeply aggrieved about the loss of Lorraine and took up residence in Commercy, which the French made a Principality in an attempt to appease her. She was to die in the Château there on the 23rd of December 1744, at the age of sixty eight and was buried in Nancy beside her husband.

I expect that Francis, who never stopped mourning the loss of Lorraine, kept the memory of his formidable mother alive and that his children, particularly the girls, one of whom was always destined for France were fully aware of their French heritage thanks to the lively, pretty Élisabeth d’Orléans, who I think, judging by her portraits bore more than a passing resemblance to Marie Antoinette, as did the formidable Liselotte in her youth.

Being British and therefore culturally biased, I’m also interested in the British ancestry of both Louis XVI and Marie Antoinette, who shared James I and Anne of Denmark as common ancestors as well as James’ enigmatic mother Mary, Queen of Scots (another erstwhile Queen of France who lost her head) and HER glamorous grandmother, Margaret Tudor, the daughter of Henry VII and Elizabeth of York and on and on. I can imagine Louis being very interested in his Stuart, Tudor and Plantagent ancestors but Marie Antoinette? Hm, maybe rather less so…

Excerpts from my novel, The Secret Diary of a Princess about the youth of Marie Antoinette.

Shameless self promotion

1 Sep

The Secret Diary of a Princess is available for $3.00 from Amazon US and for £2.88 from Amazon UK.

‘Before she was Marie Antoinette, she was Maria Antonia, daughter of Empress Maria Theresa of Austria and Emperor Francis I. As the title suggests, young Maria Antonia keeps a secret diary which gives the reader an intimate look at her thoughts, her family relationships and the daily life of an archduchess and the duties and responsibilities that go with it. I really liked Maria’s voice and loved her impish sense of humour.’

‘This book was a complete steal for the price and it’s now one of my favorite all time books. I loved every minute of it. I couldn’t put it down but didn’t want it to end either. I lived in Vienna for many years and it is not only historically very accurate, I loved how the author brings all aspects of life as a Royal in the 1700′s to you as if you are there right along side Marie Antoinette.’

‘This was a wonderful book. The author did a great job telling the story. It was well written and the words seemed to just flow across the pages. As I read I could see the people and places come to life before my eyes. I could not put this book down for a minute!’

‘This book is amazingly well written, I felt like I was being talked to by an old friend by the time I was done. The author really draws you into the story and makes you feel like you are actually there. Even though I was familiar with Marie Antoinette’s story I found myself holding my breath and waiting to see what happened next. I felt her pain, and embarrassment, the whole thing is so vividly detailed! Once I started this book I could NOT stop reading it! (I even read while cooking :P)’

‘This book is scrumptious from beginning to end. I loved reading every page of it. Melanie has a gift for description – you can feel, smell, taste, see and hear it all as if you were there in the midst of it all. Antonia is so endearing, mischievous and lovable … a girl I would have loved to have been friends with. The diary-style of the book was fantastic; reading all her innermost thoughts as if you were her closest friend in the world. From Vienna to Versailles I traveled with Antonia; felt her happiness and her sorrows as if they were my own. One of those books that you just want to hug once you are finished. And I didn’t want it to end.’

Blood Sisters is available for $3.00 from Amazon US and £2.30 from Amazon UK.

Blood Sisters has an exciting opening layered with undefined threatening menace that intrigues , ensnares and holds the reader. What will become of the narrator and her children? The historical detail is extensive, relevent but low key, bringing authenticity to to the fore. The prose is exemplary, brim-full of descriptive power and balanced vivacity, on each page. The pace is optimal, the characters are three dimensional players and most importantly, they are believably real. The dialogue, where it occurs, is logical and the plot does not meander or deviate but moves resolutely forward.’

Blood Sisters tells the story of three sisters caught up in the blood-drenched terror of the French Revolution. Melanie Clegg’s writing is lavish and detailed, a thousand tiny brush-strokes that speak of an imagination absolutely steeped in the period. Her feel for character is marvellous, with each sister as true, captivating and beautifully drawn as the others. The danger and terror each woman faces in her struggle to survive the social upheaval of the revolution feels utterly real, and quite disturbing at times. Not a read for the faint-hearted. By turns funny, terrifying, gorgeous, poignant, this is a sweeping epic of the French Revolution … if you love historical fiction, you will not be able to put Blood Sisters down.’

Before The Storm, my third book will be out later this year…

Reviews are always welcome so please consider leaving one on Amazon and/or Goodreads if you have enjoyed my books. It doesn’t have to be an epic essay, just a teensy one would be amazing.

Farewell My Queen

15 Aug

There haven’t been many production shots released from the shooting of the upcoming film Les Adieux à la Reine (Farewell My Queen) about the final days of Louis XVI and Marie Antoinette’s court at Versailles in October 1789.

The few I’ve seen though look really ropey with just horrible costumes (that eye bleeding shade of green for instance!) and general naffness abounding. I think that the fashion conscious Marie Antoinette would have tittered behind her ostrich feather fan at the outmoded coiffure that Diane Kruger appears to be sporting in this photograph.

It’s always the hair that they get wrong. Tsk.

On the other hand, maybe I’m just bitter that my MAJOR GIRL CRUSH Eva Green won’t be playing Marie Antoinette…

I write books and apparently they aren’t awful.

27 Jun

 

The fact that I write books (hey, I’m a Proper Writer now as the Romantic Novelists Association have let me join as a full member and everything! Anyone else going to their Regency Heyer and Austen day in October?) seems to have caused some ripples of surprise lately so I thought it was time for an update about the whole writing process, such as it is right now. The thing is that I am hideously shy and have a terrifyingly low opinion of myself and my abilities so the whole ‘BUY MY BOOK, IT’S JOLLY GOOD’ thing doesn’t exactly come easily to me. I find myself cringing away half admiring, half mortified (okay, that’s not true – it’s more like 10% admiring and 90% mortified) from the efforts of other self published authors to get people to read their books, but I’m sure that’s just me being a gawky idiot as usual.

I haven’t done much to promote my first book, The Secret Diary of a Princess but have been amazed by how well it is selling. The subject matter helps of course – Marie Antoinette can shift pretty much anything, I find. The weird thing is that I didn’t set out to be a Marie Antoinette writer (I love the period, obviously but I prefer Marie Antoinette to stay in the background of my novels) and didn’t look at the book again once it was finished and edited. I re-read it last week though while we were moving and actually really loved it – is it awful to say that about one’s own book? I’d completely forgotten about writing any of it and had to keep stopping to ask myself: ‘Did I really write this?’

Reviewers on Amazon US and Amazon UK have been very lovely about it too so here’s a pick of a few of the reviews it has had so far:

What does it feel like to grow up in a royal palace, to be forever aware that so much is expected of you, to be married at 14 years old to a boy prince, potential King of France, whom you’ve never even met? Melanie Cleggs book answers these questions and so many more by creating in her Marie Antionette a solid, engaging and entirely believeble character. The book takes the form of a diary written by Marie Antionette herself and is a skillful blend of historical fact, warm and lively characterisation and vividly sensual descriptions of the colours, tastes and fashions of the Hapsburg court. Having finished the book, I miss her like an absent friend!

The characters of the various groups of people are very strongly displayed; the matriarchy of the Empress and her son the Emperor in Vienna, the slimy rudeness mixed with obsequiousness of the French courtiers, and the closeness yet rivalry of the Austrian sisters are all compellingly portrayed and I was left really feeling that I knew these people.’

If you love history, particularly the lavish 18th century, then this book is a must. I thoroughly enjoyed reading it, even though I knew very little of the Austrian Archduchess who was to become Marie Antoinette. The well written detail and diary form style is very absorbing and I found myself getting lost in Marie’s world, so much so, that I didn’t want it to end.’

‘An avid reader, I am always a little bit wary of Kindle books that are greatly reduced in price because they often end up being poorly written. This book was a complete steal for the price and it’s now one of my favorite all time books. I loved every minute of it. I couldn’t put it down but didn’t want it to end either.’

‘This book is amazingly well written, I felt like I was being talked to by an old friend by the time I was done. The author really draws you into the story and makes you feel like you are actually there. Even though I was familiar with Marie Antoinette’s story I found myself holding my breath and waiting to see what happened next. I felt her pain, and embarrassment, the whole thing is so vividly detailed! Once I started this book I could NOT stop reading it! (I even read while cooking :P)’

Thanks so much to everyone who has read the book and extra thanks to those who left a review! I’ve had a lot of requests for a sequel and although it wasn’t my intention to take the diary any further, I am now thinking about writing a special something for Maria Antonia’s fan club. It might not be a full book just yet but wait and see…

My second book, Blood Sisters is due out later this year and apparently the edits are coming back to me next month, which is a bit exciting! We’ll get to see the cover soon too hopefully – which of course I will be posting here as soon as I have it in my inbox! I had to write a little description of the sort of thing the cover should maybe have, which was fun although I wonder what they made of my ramblings about white dresses, red ribbons around the neck, pensive looking redheads and guillotines.

I’m thinking about doing some sort of blog tour type thing for the release of Blood Sisters so if you’re a history/book/historical fiction/whatever blogger or tweeter and fancy getting involved let me know! Blood Sisters is an epic set during the French Revolution and has lots of shimmying around Versailles, dank prisons, executions and lurid She Saw Something Dreadful In The Gazebo moments.

My third book, Before The Storm, which is another Edith Wharton inspired epic set during the French Revolution is almost finished but I’ve been dragging my heels a bit as I’m not entirely sure what to do with it once it is done. I’ve had interest from agents, but am too terrified to actually let any of them see it thanks to an unfortunate incident a couple of years ago when an agent said something so breathtakingly rude to me that I’ve been timorously avoiding them all like the plague ever since.

Also, I’m really rather keen on the thrill and control of self publishing. Yes, people may well knock it from here to kingdom come but I think it’s brilliant, I really do – especially now that writers who could very well write for more traditional publishing houses are getting on board and releasing their books themselves. I’m not sure what to do really – I have people who actively WANT to read my books now and I want that to happen as speedily and smoothly as possible so I guess doing it myself is the way forward then!

Of course there is a high probability that even if I DID let the agents see it, they wouldn’t want to take it on (I think it’s the best thing that I have written to date but people may well disagree and probably will) and then I would be defaulting to self publishing rather than wilfully and boldly making the decision for myself, which would rub the shine off the whole process just a little, don’t you think?

Which leads me on to book four, Minette which has so far involved a LOT of reading about the courts of Louis XIV and Charles II. I’m really excited about departing Revolutionary Paris and heading off to the seventeenth century city as well as the embryonic Versailles, but I’m a bit scared too. To add to the terror, I’m considering starting English Civil War re-enactment again to give me a feel for the period, which I seem to have lost in the years since I left the Sealed Knot. It also means that I can start acquiring flouncy seventeenth century dresses from Merchant’s Row again, which is always a bit of an incentive!

Tuileries, 20th June 1792

9 Jun

I’m currently writing about the storming of the Tuileries Palace on the 20th of June 1792, which acted as a precursor and, I suppose, a bit of a practice run for the terrible events of the 10th of August later that year when le merde hit the proverbial fan for Louis, Marie Antoinette, their family and remaining supporters.

I’m being guided by Madame Campan (although I am never sure quite how trustworthy she is) in my fictional depiction of events that day, which one of my characters is, with increasing uneasiness, witnessing right from the very heart of the action.

A few days previously about twenty thousand men had gone to the Commune to announce that, on the 20th, they would plant the tree of liberty at the door of the National Assembly, and present a petition to the King respecting the veto which he had placed upon the decree for the deportation of the priests. This dreadful army crossed the garden of the Tuileries, and marched under the Queen’s windows; it consisted of people who called themselves the citizens of the Faubourgs St. Antoine and St. Marceau. Clothed in filthy rags, they bore a most terrifying appearance, and even infected the air. People asked each other where such an army could come from; nothing so disgusting had ever before appeared in Paris.

On the 20th of June this mob thronged about the Tuileries in still greater numbers, armed with pikes, hatchets, and murderous instruments of all kinds, decorated with ribbons of the national colours, Shouting, “The nation for ever! Down with the veto!” The King was without guards. Some of these desperadoes rushed up to his apartment; the door was about to be forced in, when the King commanded that it should be opened. Messieurs de Bougainville, d’Hervilly, de Parois, d’Aubier, Acloque, Gentil, and other courageous men who were in the apartment of M. de Septeuil, the King’s first valet de chambre, instantly ran to his Majesty’s apartment. M. de Bougainville, seeing the torrent furiously advancing, cried out, “Put the King in the recess of the window, and place benches before him.” Six royalist grenadiers of the battalion of the Filles Saint Thomas made their way by an inner staircase, and ranged themselves before the benches. The order given by M. de Bougainville saved the King from the blades of the assassins, among whom was a Pole named Lazousky, who was to strike the first blow. The King’s brave defenders said, “Sire, fear nothing.” The King’s reply is well known: “Put your hand upon my heart, and you will perceive whether I am afraid.” M. Vanot, commandant of battalion, warded off a blow aimed by a wretch against the King; a grenadier of the Filles Saint Thomas parried a sword- thrust made in the same direction. Madame Elisabeth ran to her brother’s apartments; when she reached the door she heard loud threats of death against the Queen: they called for the head of the Austrian. “Ah! let them think I am the Queen,” she said to those around her, “that she may have time to escape.”

The Queen could not join the King; she was in the council chamber, where she had been placed behind the great table to protect her, as much as possible, against the approach of the barbarians. Preserving a noble and becoming demeanour in this dreadful situation, she held the Dauphin before her, seated upon the table. Madame was at her side; the Princesse de Lamballe, the Princesse de Tarente, Madame de la Roche-Aymon, Madame de Tourzel, and Madame de Mackau surrounded her. She had fixed a tricoloured cockade, which one of the National Guard had given her, upon her head. The poor little Dauphin was, like the King, shrouded in an enormous red cap. The horde passed in files before the table; the sort of standards which they carried were symbols of the most atrocious barbarity. There was one representing a gibbet, to which a dirty doll was suspended; the words “Marie Antoinette a la lanterne” were written beneath it. Another was a board, to which a bullock’s heart was fastened, with “Heart of Louis XVI.” written round it. And a third showed the horn of an ox, with an obscene inscription.

One of the most furious Jacobin women who marched with these wretches stopped to give vent to a thousand imprecations against the Queen. Her Majesty asked whether she had ever seen her. She replied that she had not. Whether she had done her any, personal wrong? Her answer was the same; but she added:

“It is you who have caused the misery of the nation.”

“You have been told so,” answered the Queen; “you are deceived. As the wife of the King of France, and mother of the Dauphin, I am a French- woman; I shall never see my own country again, I can be happy or unhappy only in France; I was happy when you loved me.”

The fury began to weep, asked her pardon, and said, “It was because I did not know you; I see that you are good.”

Santerre, the monarch of the faubourgs, made his subjects file off as quickly as he could; and it was thought at the time that he was ignorant of the object of this insurrection, which was the murder of the royal family. However, it was eight o’clock in the evening before the palace was completely cleared. Twelve deputies, impelled by attachment to the King’s person, ranged themselves near him at the commencement of the insurrection; but the deputation from the Assembly did not reach the Tuileries until six in the evening; all the doors of the apartments were broken. The Queen pointed out to the deputies the state of the King’s palace, and the disgraceful manner in which his asylum had been violated under the very eyes of the Assembly; she saw that Merlin de Thionville was so much affected as to shed tears while she spoke.

“You weep, M. Merlin,” said she to him, “at seeing the King and his family so cruelly treated by a people whom he always wished to make happy.”

“True, Madame,” replied Merlin; “I weep for the misfortunes of a beautiful and feeling woman, the mother of a family; but do not mistake, not one of my tears falls for either King or Queen; I hate kings and queens,–it is my religion.”‘ — Madame Campan.

Sorry for all the silences and not replying to stuff, but I’m grappling with the end of Before The Storm and also getting ready to move house! It looks like I might be offline for a week or so after we move (eek) so if anyone would like to write a guest post for this blog, this would be a perfect time!

New cover

28 May

 

To celebrate something or other, I thought it might be nice to change the cover on The Secret Diary of a Princess* for a bit. What do you think? I think I need a tutorial on how to use Photoshop properly…

I’m very tired at the moment – we’ve had a very bad and upsetting week but cheered ourselves up a bit today with a trip to a really ace Vegan Festival in Bristol. I got to meet the very nice editor of Vegetarian Living (hello!) but was too shy to say hello to Sarah Kramer, who writes the most amazing vegan cookery books. Best of all though was getting to taste loads of different vegan goodies like amazing chorizo style sausages, lots of ‘cheeses’, dairy free ice cream and other stuff. The high point though, worryingly, was a really delicious vegan doner kebab (it was made from a leg of seitan, which looked just like a mini kebab leg – they even used a proper ‘shaver’ thing to cut it off!), which I have been thinking about wistfully ever since finishing it!

Anyway, that’s my news – back to finishing off Before The Storm now! I hope to have some news about the release date of Blood Sisters soon as well!

 

*Also available from Amazon US!

 

 

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