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Roll up! Roll up! Blood Sisters is free!

22 Dec

Blood Sisters, my tale of POSH DOOM and woe during the upheaval of the French Revolution is FREE for Kindle from Amazon US and Amazon UK until Christmas Eve.

When the beautiful Comtesse de Saint-Valèry is dragged unwillingly from her Parisian home in the dead of night, her three young daughters are left to an uncertain fate at the hands of their father in a world that is teetering on the very edge of Revolution.

Cassandre, the eldest is a beautiful and heartless society beauty, trapped in an unhappy marriage and part of the dazzling court of Versailles. Lucrèce, her twin, is married to a man she adores but he pushes her away for another woman. Meanwhile, Adélaïde, the youngest, rebels against the destiny that her position in society appears to have doomed her to.

As the horror, turmoil and excitement of the French Revolution unfolds around them, the three very different sisters struggle to survive the bloodshed, find love and discover their true selves…

Reviews:

Melanie Clegg draws readers into her world, and holds them fast. Her
storytelling left me longing for more
.’ — Susan Higginbotham, author of The Stolen Crown and The Queen of Last Hopes.

A gripping tale of the French Revolution‘ – Catherine Delors, author of Mistress of the Revolution and For The King.

(You don’t need an actual Kindle to be able to read it – it also works on Kindle apps on phones, ipads and whatever else you can get Kindle apps for!)

Bastille Day bad fiction!

14 Jul

Liberté, égalité, fraternité OU LA MORT!

Happy Bastille Day to all my readers! In honour of this special day, here is a snippet of a book called The City of Light I wrote many many moons ago, that has, probably mercifully, hitherto failed to see the light of day…

Corisande threw her cards down on to the table and laughed. ‘I think that my lucky streak has finally come to an end and so I must depart before I get desperate and stake my favourite diamonds!’ She blew a kiss across the table to her brother, Lucien and stood up with a swish of lavender scented pink silk and lace. ‘Chainier is already in despair about my gambling debts and I do not think I can bear another one of his infernal lectures on the subject.’ She rolled her expressive eyes and grinned. ‘It is bad enough when Mademoiselle Bertin sends her accounts in. I have no idea how I manage to spend so much on dresses! I am sure that fairies must spirit them away in the night for I do not believe that I can own half of the things that she charges me for!’

‘Have there been painful scenes of a marital nature, chérie?’ Lucien enquired with a wink as he swiftly dealt out another hand, slapping the cards down hard upon the green baize covered table. ‘When I get married I intend to lecture my wife on a daily basis about her expensive habits, frivolous manner of dress, inelegant reading material and unsuitable friends.’ He pulled a comical face at Madame de Fleury. ‘It will no doubt be the only pleasure left to me if my esteemed mother has her way and she succeeds in shackling me to one of the dreadful convent bred frights that she insists on parading in front of me.’

‘I wonder what your precious Mademoiselle de Saint-Valéry would say to that if she were here?’ Corisande said with an arch smile. She had taken up a pose beside the table and was thoughtfully examining a fine Sèvres snuff box that her husband had left there the previous evening.

Lucien looked up from his cards and grinned at his sister. ‘As usual, she would agree with every single word that I utter as unlike you, my dear one, she treats my edicts like the pearls that they are and very rarely laughs at me.’ He leaned back perilously in his chair. ‘I do wish that you would invite her here more often, Corisande. I am running out of excuses to present myself at the Hôtel de Saliex and I think she is beginning to suspect something.’ He looked across at pretty blonde Madame de Fleury. ‘If she begins to suspect then I will lose the all important element of surprise.’

Corisande hid a yawn behind her exquisitely painted fan. ‘With you obsessing about Adélaïde de Saint-Valéry and everyone else ranting on and on about the tedious National Assembly I can see that this is going to be a simply fascinating summer.’  She walked to a table and idly turned over the pages of a book. ‘Perhaps I should have another party.’ She looked at the Comte d’Echevalier and smiled. ‘Would you like it if I threw a ball, mon cher?’

‘And incur the censure of the third estate deputies?’ her brother interposed with a nervous laugh. ‘Surely you do not wish to provoke yet another tirade about the frivolities and extravagances of the idle aristocracy?’ After his sister’s last ball, an anonymous and hastily suppressed pamphlet entitled ‘The Luxurious Orgy of Madame de C’ had been sold at the Palais Royal and on the staircases of Versailles itself, denouncing her extravagance and obscene morals.

Corisande shrugged. ‘Their dismal opinions do not interest me.’ She turned and walked restlessly to the window, where she stood for a while gazing into the gardens, which were full of carefully arranged flower beds and heady with the scents of summer. Lucien surreptitiously watched her from behind his cards and wondered why she looked so sad. It was not like his usually cheerful sister to look so downcast and he could not help but speculate if the Comte d’Echevalier was in any way responsible. Like everyone else he detested his sister’s lover and heartily wished that she would see sense and get rid of him before he dragged her into one of his inevitable and sordid scandals.

He looked at Monsieur le Comte and saw that he too was watching Corisande but the expression in his hard grey eyes was cruelly amused as opposed to concerned and Lucien felt a momentary pang of fear for his sister. 

Aimée de Fleury broke the suddenly tense silence. ‘How beautiful you look standing there, my dearest Corisande!’ She threw down her hand of cards and took a sip of wine. ‘You should have been painted thus by Madame Vigée-Lebrun! Do you not agree, Monsieur le Comte?’ She smiled wickedly at Echevalier. 

Philippe shrugged. ‘Every one of Madame Vigée-Lebrun’s simpering portraits looks very much like another. I find it hard to tell them apart.’ He flicked a dismissive finger at Corisande’s portrait, only recently completed, which hung on the wall of the salon. She was depicted seated in front of her harp, looking quite adorable with the trademark Vigée-Lebrun limpid, wide eyed stare and coy smile and dressed in frothy white muslin with a gold fringed scarf wound through her tousled, unpowdered red hair. ‘It could be a portrait of anyone.’

Aimée frowned. ‘Now, I totally disagree with that, Monsieur!’ She smiled at Corisande, who had turned back towards them and was listening in silence to their banter. ‘I do not think that this could be a painting of anyone but our dear Comtesse!’

‘I thank you, chérie,’ Corisande said, stepping as always back into the fray. ‘Monsieur le Comte is quite right though. It really does not bear much resemblance to me.’ She shrugged. ‘The portrait that Madame Labille-Guiard did last year of myself and my sister, Séraphine is far superior. Perhaps I should have it brought from the Hôtel de Vautière now that my parents have gone away or maybe…’ 

She was interrupted by the sound of shouting, explosions and gunfire close at hand and Lucien immediately crossed the room and flung the window open so that they could all hear what was going on. ‘I wonder what is happening out there,’ he said, with a frown between his dark eyes. ‘The mob have been running wild for far too long.’ Rioting had broken out in the city a few days earlier after the King had dismissed their friend, Germaine de Staël’s father, Necker, the popular minister for finance. Disturbances on the streets were always commonplace of course but this time seemed to be different and when a rumour had spread through the faubourgs that royal troops were preparing to march at any moment a huge crowd gathered at the Invalides and seized as much weaponry and even cannons as they could lay their hands on before marching on the royal prison of the Bastille in search of gunpowder and ammunition. 

Corisande shrugged and sighed. ‘It is just the mob. I doubt very much that they can do any serious harm.’ She firmly closed the window. ‘I imagine that they have been up to their usual tricks of looting bakeries and setting fire to straw effigies of the King and Queen.’ She laughed and turned away. ‘Surely you know, mon cher, that one has not lived until one has been symbolically set fire to by the Parisian rabble?’

They all joined in the laughter and sat back down at the table to resume play while doing their best to ignore the cannon fire that continued sporadically all afternoon, and rather too closely for absolute comfort. At Lucien’s insistence Corisande eventually sent out one of her footmen to discover what was happening in the streets but he did not return. They could only suppose him dead or deserted and a toast was gaily drunk to his passing, honourable or otherwise.

It was almost dark when their game broke up and Corisande laughed gleefully as she pulled her winnings towards her. ‘Thank you very much for restoring my faith in gambling, my dear ones!’ 

‘I am sure you will think of us fondly when you lose it all at the faro tables of  Versailles tonight,’ Lucien said with a grin as he stood up and prepared to leave. ‘Please do remember me to dear Séraphine and our venerable parents.’ He pulled open the door and went out into the marble floored vestibule, followed by Aimée and Philippe d’Echevalier, who did not even pretend that he was leaving but instead made it clear that he was very much at home, much to Lucien’s well bred disgust. He almost wished that he could stay but instead he bowed his head and escorted Madame de Fleury out to her carriage, which was waiting for her in the shady, wisteria filled courtyard. She was doing her very best to flirt with him but to her pique he barely noticed.

‘And finally we are alone,’ Corisande whispered as the front door closed. She walked to Philippe and smiled up into his face. ‘I thought that they would never leave.’

‘Your best friend and your brother? How disloyal you are,’ he said with a smile, lifting one long red ringlet off her shoulder and twisting it around his fingers. Corisande closed her eyes and sighed, waiting for the inevitable kiss. She had already decided to brave the servants and their intolerable gossiping and take him upstairs to her boudoir for an hour before she had to leave for Versailles.

There was a discreet cough behind her and she unwillingly opened her eyes and turned around. ‘Well?’ It was one of her footmen, looking hugely embarrassed at having caught his mistress en flagrante and quite unable to meet her eye. ‘Spit it out, man.’

‘Madame la Comtesse, I thought you should know…’ He paused, uncertain as to how to proceed. ‘Madame, the Bastille has been captured by the mob.’

Corisande stared at him. ‘What on earth do you mean?’ She thought of the Bastille – black and looming over the nearby Rue de Saint Antoine and apparently impenetrable. ‘Surely such a thing is impossible?’ She looked at Philippe, who was calmly taking snuff from his wrist and seemed quite unconcerned by the terrible news. ‘Mon cher, what does this mean?’

Her lover looked back at her and shrugged. ‘I imagine it means that the mob have had a small victory, Madame,’ he said. ‘I should not be too alarmed – the King has enough troops at his disposal to disperse the rioters and he has ample justification now for such an action. It is about time he seized control of his own capital.’

‘The King?’ Corisande almost laughed. ‘That feeble minded idiot? He will let it slip through his fingers and send us all to our deaths while he does so!’ She had forgotten the presence of the footman and was pacing backwards and forwards. ‘I must go to Versailles immediately and find out for myself what is happening.’

Before Philippe could reply the front door was thrust open and to their horror Corisande’s husband, the Comte de Choiseul-Chainier hurried alone into the vestibule. He was dishevelled and red faced and had clearly come on foot through the streets.  Corisande could not help but note with a fastidious shudder that his normally white stockings were coated with a thick veneer of mud and dust.

‘Corisande!’ Louis-Charles advanced towards her, his face full of concern. ‘My God, I came as soon as I heard!’ Something about her embarrassed demeanour checked him and he slowly turned to see that they were not alone. ‘Monsieur le Comte.’ He bowed and his expression became closed and stony. ‘Forgive me for intruding.’

‘For God’s sake, Louis! This is your house!’ Corisande burst out, irritated by his insistence upon regarding the proprieties even when their whole world appeared to be in crisis. 

Philippe spoke then. ‘You are quite correct,’ he drawled before bowing to Corisande. ‘I am decidedly de trop at this delightfully cosy little reunion and should leave.’ With a brief nod to Louis-Charles who completely ignored him, he strolled nonchalantly from the house leaving the Chainier couple together and looking for all the world as though he was on his way to a delightful party instead of about to brave the dangerous streets of the Marais.

Corisande watched him leave with some regret but then turned to her husband, avid for news. ‘What is happening? How could such a thing happen?’ She dismissed the still watching footman and they walked together into the salon where she poured Louis-Charles a glass of wine from a crystal carafe on the table.

‘It is utter chaos,’ he said with a despairing shrug. ‘The people have gone quite mad. They have been whipped up into a veritable fury by all the lies and rumours.’ He threw himself down on to the blue silk sofa next to Corisande and covered his eyes with his hand. ‘It all started quite harmlessly with some rioting about the dismissal of Monsieur Necker but over the past few days they have been told, by the creatures of the Duc d’Orléans no doubt, that the King intends to march his troops on Paris and slaughter them all in the streets. They have been told that there will be a second Saint Bartholomew’s day massacre.’

Corisande went pale. ‘If they believe that then no wonder they are mad with fear,’ she said in a quiet voice. ‘It is not true though is it?’

Louis-Charles shook his head. ‘No, not at all. There are troops in Paris, yes of course, but the King is loath to employ them.’

‘Then he must seize the moment!’ Corisande cried. ‘Before they kill us all.’ She stood up and went to the window, where she stood for a moment looking out into the dusk and trying to imagine what was happening beyond the security and peace of her garden. ‘Has there been much violence done today?’ She turned to her husband, who could not meet her eyes.

‘They say that hundreds have been killed in the streets and during the assault on the Bastille,’ he said with a sigh. ‘However, I think that this is an exaggeration.’

‘My God,’ Corisande breathed. 

Louis-Charles continued to speak. ‘The governor of the Bastille, de Launey, surrendered and was brutally murdered by the mob. They cut off his head with a pocket knife and that of one of his companions and then paraded them around the streets on the ends of pikes.’ His words fell brutally into the elegant white and gold room. ‘They cheered, danced and sang songs beneath the severed heads.’

Corisande stared at him and found that she could not speak. Could this really be happening only a few streets away from her house? She felt suddenly sick and covered her mouth with her hand. Louis-Charles immediately stood up and took her into his arms.

‘My darling, I should not have told you about this,’ he said, cursing himself. ‘It will all be over soon enough.’ He kissed her forehead.

Corisande pulled back and stared up at him. ‘Do you really believe that? It needed only this, Louis. It needed only one small spark.’ She gently pulled away from him. ‘I must leave for Versailles immediately. I shall not rest until I have seen my sister.’

‘It would be madness to attempt to leave now,’ her husband remonstrated. ‘Please do not even think of doing such a thing, Corisande!’

‘It would be madness to stay,’ she countered, her eyes flashing with sudden fury. ‘I must go with or without your leave, Monsieur.’ She went to the door and shouted for her carriage to be brought round from the mews. ‘There is not a second to be lost.’

Louis-Charles sighed. ‘Then I must go with you.’ He could not help but think how magnificent she looked with angry colour high and flaming in her cheeks and with her lovely hair tumbled and disordered down her back. She looked like something from a painting – if one swapped her extremely fashionable black and white vertical striped silk robe à l’anglaise and lace edged muslin fichu for something simple and Grecian then she could easily have posed for an avenging fury or a high priestess at that moment.

Corisande nodded. ‘If you must.’ She allowed herself a smile. ‘I must confess that it would be a relief not to be alone at such a time.’

The streets of Paris were predictably in a state of panic and chaos and it took a long time for Corisande’s carriage to make any progress down the Rue des Francs-Bourgeois. Angry, distorted faces made all the more grotesque and hellish by flickering torch light continually appeared at the windows and stared in at her in the most threatening manner and there were several occasions when she was really frightened that they would be made to stop and butchered in the street like poor de Launey but clearly the mob’s lust for blood was sated and so they were allowed to go on their way. Without saying a word Louis-Charles reached across the seat and took her hand in his and did not relinquish it until they had gained the barrier  and were out of Paris and on their way to Versailles…

Also in honour of Bastille Day, my novel The Secret Diary of a Princess, about the childhood of Marie Antoinette, is available from Amazon US for 99c and Amazon UK for 86p until next Monday so if you’ve always fancied giving it a whirl, now is the time!

Writing update

22 May

Well, Before The Storm is almost finished and I find myself gripped by that peculiar fear that strikes towards the end of any writing project. I’m almost paralysed with fear and can hardly bring myself to write anything because as soon as it is finished, I will have to tackle the edits and also think seriously about its ultimate fate. Or maybe it’s just me?

I have a couple of agents interested in looking at my work, which is nice but I really enjoy self publishing so am undecided. Of course, they’ll probably hate it so it’s moot, but if they do, I think I’ll feel a bit relieved actually as then I can get the divinely talented Liza Falzon to design me the gorgeous cover I’ve been daydreaming about and I can get cracking with launching this book myself.

I have to finish it first though. I’ve reached June 1792 and one character has just woken up in her bedroom, which is cheerily decorated with tricolor striped wallpaper, while another is anxiously watching the crowds begin to mass outside the Tuileries palace. This is my last book for a while about the French Revolution so I’m making the most of it! The tone is becoming progressively darker – the early chapters were light and full of gilt and silk and chatter, but oh how times have changed. Just look at this David portrait from 1792…

I love the change in fashion though – whereas earlier I was describing shimmering silks, sequins, lace edgings and opulent rose scented brocades, it’s now all about the stripes and a much more becoming silhouette. Times may have been terrifying but at least one could still look elegant.

In the meantime, my second book, Blood Sisters, which is set during the French Revolution will be out this summer, which is very thrilling! I have just been working on my publicity pack for it, which involved coming up with enticingly worded descriptions of my work and shyly badgering the very very lovely Catherine Delors and Susan Higginbotham (both writers that I admire very much so I was tremulous with fear and excitement when I asked them) for author endorsements for the cover.

Oh, the cover – I’ve also had to supply some keywords and ideas for the cover design, which was very exciting. I know precisely what I would LIKE it to look like (winsome girl in white muslin a la reine with a red ribbon around her neck and a misty Versailles and guillotine in the background), but am really looking forward to seeing what they come up with. Judging by the other Embrace covers, it will be gorgeous.

I’m off to Cumbria in a couple of weeks to poke around castles, bemoan the lack of vegan food, swim every day and finish off Before The Storm. I can’t wait! I’m also taking a big box full of research books for my next project, which is a novel about Minette, the sister of Charles II and sister in law of Louis XIV. I’ve been quietly acquiring a mountain of books about her life and times and feel so excited about this novel! I want to go back to Paris and Versailles later this year to do some more research – I’ve always visited with ‘eighteenth century’ eyes in the past so I want to spend a week discovering the seventeenth century city instead. This appeals to my Archaeological training – this peeling away of layers to reveal another city lurking underneath.

Unusually, visiting Minette’s birthplace will involve a half hour drive down to Exeter. I love that her brother used to call her an ‘Exeter woman’ and after her untimely death, gave the city a gorgeous full length portrait of her, which still hangs in the Exeter Guildhall. I will be paying it a visit next time I am there.

I’m even considering returning to English Civil War re-enactment as part of my research. Not the Sealed Knot as I don’t think that would be a good idea for various reasons, but maybe the ECWS. Dave would make an excellent pikeman and the boys would enjoy it too. Hm.

I’ll leave you with this divine rose pink 1660s bodice in the collection of the Victoria and Albert Museum. Can’t you just imagine Princess Henrietta in this or maybe the beauteous Nell Gwynne?

A visit to Versailles

6 May

On this day, the 6th May 1682, Louis XIV moved his court to Versailles. To mark this momentous occasion and also that of my humble blog passing 400,000 page views (thank you!), I thought I would post some of the photographs that I took during my last visit to Versailles.

Marie Antoinette and countless others got married beneath this beautiful ceiling! Imagine kneeling beneath this vivid display while saying your prayers – it really must have felt like you were sending them directly up to Heaven itself…

A young, heroic Louis XIV, looking very different to (reality?) how he would appear in later portraits. He was a handsome fellow though, by all accounts. I still prefer his first cousin, Charles II of England though…

The beautiful, witty and rather sinister Madame de Montespan surrounded by her children by Louis XIV. I love how Louise peeps through the artfully placed hedgerow. One of the things that always intrigues me about Madame de Montespan is that we are told that she and her circle of intimates had their own idiom that they used when talking to each other (like the Duchess Georgiana of Devonshire and her chums) and I’d love to know what that actually sounded like!

Marie Leczinska, Louis XV’s pious Polish wife. The angle that I took this from makes her dress looks all the more ballooning and her head absolutely pin like in comparison. I love the jaunty little spaniel at her feet. Poor Marie – she complained that Louis was always pestering her for sex (‘always in bed, always pregnant, always giving birth’ she is said to have complained) and used to make up random and increasingly obscure saint’s days so that she could turf him out of her bedroom. She also kept the grotesquely decorated skull of the seventeenth century courtesan Ninon de Lenclos at her side, calling it her ‘Mignonne’. How very goth.

One of the many thousands of beautiful chandeliers in the château. It wasn’t very busy when we were there last but there were enough people for me to realise that if I wanted to get reasonable shots then lifting my camera towards the ceiling was definitely the best bet! Can you see the famous portrait of Louis XIV on the wall? According to tradition this room always had this portrait of the original King of Versailles on one wall and one of whoever the current King was on the other – this space is currently inhabited by a large full length picture of Louis XVI, the last King of Versailles.

A throne in what would have been used as the throne room on state occasions. This hasn’t always been in here so must have been added as part of the most recent round of improvements. It looks good though, and gives visitors an idea of how the château would have been used in its heyday. When I first visited in 1989, it was still relatively empty in comparison to how it is now.

The ante chamber before you enter the legendary Hall of Mirrors. This one is ‘war’ themed, while the one next to the Queen’s bedroom at the very end is ‘peace’ themed.

A view across the parterre from the window of the Hall of Mirrors. I keep meaning to photoshop courtiers over the tourists!

Another view from the window. In the corner you can see the mad little bus that takes people down to the Trianons.

Another view of the ante chamber, this time showing the marble warlike Louis XIV on the wall.

Self portrait reflected in the famous mirrors. They aren’t the originals, but who cares? I have bare feet as we foolhardedly decided to walk from the Opéra to the Louvre then down the Champs Elysées to the Arc de Triomphe and THEN on to the Eiffel Tower the night before and my feet were killing me! We went to the Louvre for the evening opening after leaving Versailles and I got told off for having bare feet in front of the Mona Lisa! Speaking of the Mona Lisa – did you know that the painting used to hang at Versailles?

View towards the ceiling in the Hall of Mirrors.

Beautiful gilt statues that line the gallery. In the times of Kings, the royal family and their attendants would walk in a procession down the Hall of Mirrors to get to the chapel for morning Mass and all the court and anyone dressed well enough to be admitted to Versailles would gather to watch them go past, making it the most opulent corridor in all the world.

More of the Hall of Mirrors.

The chubby little cherubs that ornament one of the chandelier plinths in the gallery.

The end wall of the gallery and my husband looking totally fed up!

The ceiling of the ‘peace’ ante chamber at the other end.

Louis XIV had himself depicted in a warlike state, while Louis XV prefered to be painted in a state of peace, with his twin baby daughters beside him.

Some photographs of Marie Antoinette’s bedroom at Versailles. It’s a bit over the top isn’t it? It’s funny really though that technically this is simply the ‘Queen’s’ bedroom but the other residents don’t really get a mention, it is and always will be the bedroom of Marie Antoinette. Can you see the portrait of Marie Antoinette’s mother, the Empress Maria Theresa above the mirror?

View of the mantelpiece, where a beautiful bust of Marie Antoinette stands, looking out haughtily over the millions of visitors who pass by every year.

The hidden door beside the bed, which Marie Antoinette used to make her escape from the mob in October 1789. I have actually been through the door and down the very corridor, thanks to a cunning ploy of pretending to have a headache on one of my visits. The very kindly guard took me past the balustrade and within touching distance of the royal bed then through the door and down the corridor to the Oeuil de Boeuf room that lies at the other end. It was amazing.

The bed, complete with reconstructions of the beautiful fabric that Marie Antoinette used in summer (the decor of this room was regularly updated and would be changed every year with the seasons). It has flowers, ribbons and peacock feathers intertwined.

Another view of the bedroom. Never mind the Hall of Mirrors or even the King’s bedroom on the other side of the château, this was the very heart of Versailles and the place that everyone wanted to be admitted to. Although Marie Antoinette actually prefered to sleep in a smaller, cosier room elsewhere in the palace, this was the room that was used for her official levée and coucher, the ceremonies of getting up and going to bed. It was also where the Queen was required to give birth: we know that Marie Antoinette had her children on a pallet bed that was set up more or less where I was standing when I took his photograph.

A close up view of the beautiful fabric used in the room.

The headboard, where you can see Marie Antoinette’s insignia: a combined M and A.

The amazing canopy, topped with an Imperial eagle, a reminder of her faraway home along with the portraits of her mother Maria Theresa and brother Joseph, which hang on the walls.

The sofa tucked in next to the door and covered with the same beautiful fabric.

The delicate green and gold room next to Marie Antoinette’s bedroom. The colours always remind me of Quality Street wrappers! It was in this room that her waiting women were dozing when they first heard the cry of alarm that warned them that the mob had broken into the palace and were on their way to the Queen’s rooms. The big portrait is of Louis XV, Marie Antoinette’s grandfather in law.

Posthumous portrait by Adélaïde Labille-Guiard of Louis XV’s favourite daughter, Louise-Élisabeth, who was also the only one of his eight daughters to ever marry and leave Versailles. She married the Duke of Parma and became mother to Isabella, who married Marie Antoinette’s brother Joseph; Ferdinand, who married Marie Antoinette’s sister Maria Amalia and finally Marie Louise, who became Queen of Spain and was infamously depicted in later life by Goya as a decrepit, dissolute harridan.

A closer view of the painting. The child is Ferdinand, who later succeeded his father as Duke of Parma and was the husband of the Archduchess Maria Amalia, sister to Marie Antoinette. It’s been suggested to me that the portrait is actually of Madame Elisabeth with Madame Royale – what do you think?

Madame Adélaïde by Labille-Guiard. At the time of Marie Antoinette’s arrival at Versailles, Adélaïde was the oldest of Louis XV’s remaining daughters and very much ruled the roost while exerting a negative and unwise influence over her young nephew, the Dauphin Louis.

Marie Antoinette as a young queen, painted shortly after her accession by Vigée-Leburn in what was to be one of her first royal commissions.

Madame Victoire by Labille-Guiard. Victoire was another of Louis XV’s daughters, who remained at Versailles as middle aged spinsters.

The iconic portrait of Marie Antoinette with her children, painted by Vigée-Lebrun in 1787, just two years before their world was ripped apart.

A closer view of the painting. The empty cradle originally held the youngest child of Marie Antoinette and Louis XVI, the Princesse Sophie-Béatrix, who died as a baby. The Dauphin Louis-Joseph who holds aside the fabric covering the cradle was to die in 1789, the baby Louis-Charles (later Dauphin and then Louis XVII) died in prison in 1795. Marie Antoinette’s daughter, Marie-Thérèse-Charlotte (Madame Royale) was the only one to survive the Revolution.

A view from the palace. So beautiful.

I  think this may be my favourite shot of Versailles. I love the way that the mellow September sunshine dapples against the old gilt paintwork.

Another view of the same room, showing the beautiful clash of gilt, crystal and crimson silk.

Many of the rooms at Versailles have this amazing marble decoration with different coloured marbles arranged geometrically. It is a very masculine style, I think, and was probably Louis XIV’s own taste.

A view of David’s copy of his monumental ‘Sacrée de Napoléon’, which depicts the coronation of Napoleon or rather the coronation of his wife, the amazing Joséphine. Legend has it that she persuaded David to depict the moment that she was the centre of attention, probably to fling it in the teeth of Napoléon’s family who hated her and truly were the in laws from hell, who never stopped scheming to bring about her divorce.

A closer view of Joséphine.

Madame de Ségur and Madame de la Rochefoucauld holding up Joséphine’s enormously heavy train, which her spiteful sisters in law deliberately dropped on the way into the cathedral in the hopes that she would fall over.

Looking like butter wouldn’t melt in their mouths: Julie Clary, wife of Napoléon’s brother, Joseph; Hortense, the daughter of Joséphine and wife of Napoléon’s brother, Louis and next to them the trio of Napoléon’s ill wishing sisters: Elisa, Pauline and Caroline.

A portrait of Joséphine.

Hortense gazing out of another canvas, with her brother Eugène beside her, as usual making the Bonaparte in laws look like a very vulgar and unattractive rabble.

A staircase that is ornamented like a very sumptuous wedding cake!

A beautiful marble vestibule.

A view from a window at the side of the château.

A view of the famous ‘bull’s eye’ in the Oeuil de Boeuf. This was the main waiting room to the King’s bedchamber, where the gentlemen of the court would gather before trying to gain admittance to the monarch’s presence. It was one of the main hubs of the palace.

A triumphant Louis XIV in the Oeuil de Boeuf. Nice shoes!

Another self portrait.

I always feel that Louis XVI is a bit under represented at Versailles. Everyone is interested in Louis XIV and Marie Antoinette and poor old Louis XV and Louis XVI barely get a look in.

The young Louis XIV surrounded by his family.

The adorable Minette, Henriette-Anne, Duchesse d’Orléans: an English princess at the court of France and the subject of my very next book!

Another view of the Oeuil de Boeuf. This room was the antechamber to the king’s bedchamber, which lay at the very centre of the château. It was into this room that Marie Antoinette stumbled after her terrifying escape down the secret passage beside her bed in October 1789.

The King’s bedroom.

A close look at the sumptuous and rather masculine fabric that hangs in the king’s bedroom.

Anyway, I hope you enjoyed that little tour of some of the rooms of Versailles and here’s to the next 400,000 views! x

Madame Élisabeth, sister of Louis XVI

3 May

In honour of the 247th anniversary of the birth of Louis XVI’s youngest sister, Madame Élisabeth, I’ve put together links from a series of articles I wrote about her life last year.

Élisabeth Philippine Marie Hélène de France was born at 2am on Thursday, 3rd May 1764, the daughter of the unusually devoted royal couple, the Dauphin Louis of France and his second wife Marie-Josèphe of Saxony, who was affectionately known as ‘Pépa’.

The royal couple were unusual for their domestic harmony and frank and open adoration of each other in a court where it was considered bad form to be openly affectionate towards one’s spouse. The Dauphin was a complicated character: he wrote to a friend that his soul was ‘always gay’ and indeed there was a liveliness and cheerfulness about him that made his company much sought after. However, he had also inherited the morbid nature of his parents, Louis XV and his devout Polish wife, Marie Leczinska and was obsessed with death and dying. His mother kept the skull of the delightful courtesan Ninon de Lenclos on her desk, garlanded with flowers and grinning toothily upon a velvet cushion. She called it ‘Ma chère Mignonne’.’

The infancy of Madame Elisabeth.

It is recorded that in the early days of their marriage, the young Saxony princess Marie-Joséphe had been horrified to witness her new husband and his sisters spending evenings dressed in black and walking slowly around the dim candlelit room murmuring ‘I am dead, I am dead, I am dead’ in a continuation of a favourite game from childhood. It was unacceptably morbid to a healthy young princess who adored dancing, laughter, being outdoors, having fun and celebrating life.

A Versailles childhood.

The orphaned children of the Dauphin and Marie-Josèphe de Saxe were a diverse bunch. At the time of their mother’s death, the eldest was the twelve year old Dauphin Louis-Auguste, a serious, sombre boy with low self esteem and a diffident manner. Next was the eleven year old Louis-Stanislas-Xavier, Comte de Provence, already overweight with a cruel, sarcastic yet indolent nature. Next was the nine year old Charles-Philippe, Comte d’Artois, the only one of the trio of boys to have inherited his handsome grandfather, Louis XV’s good looks, in particular his sparkling dark eyes, inherited from his mother Marie-Adélaïde de Savoie.
The two girls followed: seven year old Marie-Adélaïde-Clotilde-Xaviere, who was known as Madame Clotilde, an overweight child with a sweet, endearing nature and a genuine love of music who was known at court as ‘Gros Madame’ (Madame Fatty) and then finally, the baby of the family, two year old Madame Élisabeth.’

The arrival of Marie Antoinette.

The betrothal of her eldest brother, the Dauphin Louis had been a source of intense interest at court for quite some time as preparations went on for what was to be one of the most magnificent wedding spectacles ever held at Versailles. Excitement had reached fever pitch by the time his bride, the fifteen year old Archduchess Marie Antoinette arrived at the palace at 10am on the 16th May 1770 and Madame Élisabeth, as the youngest member of the royal family must have been quite beside herself by the time the beautiful new princess, dressed in her splendid travelling costume of blue and white silk arrived in the royal apartments.

Madame de Marsan, who Marie Antoinette had been warned against and who she was to take one of her quick and unyielding dislikes to, was quick to push her favourite pupil, Madame Clotilde forward but the young Archduchess immediately knelt in front of the smallest princess, Élisabeth and gave her a quick hug.

An adolescent princess at Versailles.

On the 11th June 1775, Louis XVI was crowned in Rheims cathedral in the presence of most of the court as well as his family. His younger siblings were all present and his young sisters, Clotilde and Élisabeth were seated at the side of Marie Antoinette, who was so moved at one point that she had to leave her seat in order to hide her tears. ‘I could not resist it,’ she wrote to her mother. ‘My tears began to flow in spite of myself.’

Beautiful Montreuil.

Élisabeth’s life at Montreuil was marked with its simplicity and goodness. She loved to spend time with her friends, either picnicking in the grounds, gardening, working her printing press, doing embroidery or doing good works in the neighbourhood, where she was hailed as a saint by the local people who all had reason to be grateful to her charitable ways and sweet natured friendliness. Élisabeth was naturally very thrifty and would often refuse to buy things because she reasoned that the money could be better spent on helping the poor.’

The early days of the Revolution.

Change was in the air but life at Versailles carried on much as it had always done with the inhabitants doing their best to ignore what was happening outside their privileged bubble. The wife of a labourer who had been assisted by Madame Élisabeth requested a private interview at the end of September 1789 and told her that the people of Paris suspected the King of plotting to escape with his family to Metz and were planning to prevent this. Alarmed, Élisabeth immediately went to tell Marie Antoinette, who refused to believe that it was anything more than rumour and exaggeration.

On the 5th October 1789, Élisabeth was at Montreuil when then news arrived that an immense crowd of women were marching on Versailles. She left her house immediately and returned to the palace to be at the side of her brother and sister in law. The royal family gathered together, unable to escape the shouts of the mob that had gathered in the courtyard below them but assured that it would be impossible for them to actually get inside.’

The Tuileries.

While Madame Élisabeth busied herself with her books, her painting and her daydreams of happier days spent hunting or riding her beloved horses (Élisabeth was an amazing horsewoman and like her brother, the King, she was said to look her best when mounted on a horse), her brother and sister in law, Marie Antoinette were scheming to get themselves and their family away from France. They were frustrated by their imprisonment at the Tuileries and increasingly disillusioned with the Revolution and the National Assembly, which was becoming increasingly distanced from the needs of ordinary people.’

The Temple.

The royal family were depressed, exhausted and thoroughly demoralised. They had spent three days at the Feuillants monastery, with nothing but the clothes that they were wearing until the Countess of Sutherland, wife of the English ambassador sent them fresh linen. All of their clothes and belongings had been looted by the mob – the Queen’s famous collection of clothes now dispersed throughout Paris, where it was worn by the women of the streets.

When they were told that they were to be taken to the Temple palace, Marie Antoinette whispered in dread to Madame de Tourzel: ‘You will see, they will put us in the tower, and they will make it a veritable prison. I have always had such a horror of that tower, that a thousand times I begged the Comte d’Artois to have it pulled down; it must surely have been a foreboding of all that we would suffer there… you will see if I am not mistaken.’

Execution, 10th May 1794.

As the guillotine did its work, Élisabeth kept her gaze resolutely forward, showing no sign of fear and reciting the De Profundis as she waited her turn. Finally, there was no one else left and the executioner came for her. She refused his hand and instead went by herself up the steps to the scaffold.

Just before they tied her to the grisly plank of wood that would tilt her beneath the guillotine’s blade, her fichu of fine Indian lawn slipped from her shoulders, revealing the silver medal of the Immaculate Conception and tiny pocket book, which she had tied around her neck with a silken cord.

We are told that one of the executioner’s assistants, Desmarest, tried to remove the fichu, probably to steal it for his own but that Élisabeth stopped him, crying: ‘In the name of your mother, Monsieur, cover me!’ These were to be her last words.

It is said that as the blade fell down, ending the life of Madame Élisabeth, the square was filled with the beautiful scent of roses.’


Before The Storm, 55,000 words

20 Apr

I’ve been quiet, haven’t I? Sorry about that! It’s down to a combination of things really – writing Before The Storm, working, researching Minette, spending time with the boys, listening to Judas by Lady Gaga on repeat and various other things too tedious to recount here. It will all pay off in the end though – that’s what I keep telling myself anyway.

Anyway, writing! I am now 55,000 words, twenty five chapters and three parts into my book, which is a reason to pause and celebrate, I think! The third part jumps forward almost a year from the second and we find ourselves in Versailles in October 1789. I’ve written about the fall of Versailles (yes, yes, it’s not precisely a ‘fall’, I know but in my mind I always think of the events of October 1789 as a really abrupt end to so many things that ‘fall’ seems to be the most accurate and snappiest way to describe it) before in Blood Sisters so it was weird to write about the events of those days from a different point of view.

I was tempted for a while to give Cassandre from Blood Sisters a bit of a spear carrying role in the chapter, but decided against it in the end. However, I’m now wondering if perhaps I should go back and put her in? I always love it when characters from other books pop up in the one I am reading – it’s like waving hello to an old friend in the street. What do you think?

Anyway, I’ve moved on now from weddings and romance and flirting to Revolution, marriage and the first seeds of dissatisfaction. In art as in life, that’s me. Okay, maybe not.

One thing I have noticed in the current feverish stage of writing is that whereas all my heroines look like Vigée Lebrun portraits in my mind – all soft flowing ringlets, sweet smiles, dewy peachy skin and huge rolling eyes, all my heroes look like either Aidan Turner in Desperate Romantics or er that’s all I’ve got right now.

I think I will leave you with that thought as I have to go and do some stuff over there for a bit.

Ps. I have pink hair again. I think cyclamen is the proper term for the astonishing colour I am currently sporting on my head – my hair is pretty long too so the effect is pleasingly Disney Princess.

I love this still from Marie Antoinette. Some people got a bit up in arms about it (as they are sadly wont to do) but I really like it but then I, the fuchsia haired historical fiction writer who day dreams about Versailles and French princesses, would say that wouldn’t I?

Oh wait, first of all, I have to show you these beautiful porcelain boxes.

Marie Antoinette with Madame Royale, Dauphin Louis-Joseph and Louis-Charles, her chou amour. Louis XVI is represented in bust form as usual.

The Comte de Provence, the Comte d’Artois and Madame Élisabeth.

Before the Storm, Revolutionary Women

20 Mar

I’m now almost 35,000 words into the book – they’re currently admiring a very lovely château on a bright, sunny spring morning so I can safely leave them all there for a bit and talk to you instead. I’ve modelled the château on gorgeous French Renaissance Azay-le-Rideau in the Loire Valley as it is just such a special place.

Research is taking many forms right now. I’ve been spending a lot of time looking at portraits of women from the late 1780s and early 1790s, taking in their bright eyes, their soft ringlets and the gentle muslin folds of their gowns. Sometimes I know what happened to them – if they perished in the Terror or managed to escape and in the case of the ones that I don’t know, I find myself wondering what happened to them and what they saw in those exciting, terrifying years.

 

I’ve been reading Caroline Moorhead’s book about Madame de la Tour du Pin, with particular reference to pre revolutionary Parisian society as it would have been experienced by my characters. I’m fascinated by the society of that time – how decadent and luxury loving yet inquisitive and intellectually curious they were.

Has anyone else seen the film Jefferson in Paris by Merchant Ivory? It is one of the best representations of high society during that period that I have ever seen. The costumes are fantastic and the depiction of Louis and Marie Antoinette’s Versailles is amazing and just how I imagine it to have been.

As you can guess by all the costume posts, I’ve been thinking a lot about what they would have worn as well. I’d dearly love an eighteenth century gown of my very own but I’m not very handy so wouldn’t know how to start making one. I’ve seen one that I might buy if I come into untold wealth though!

So that’s where I am now. Kindle sales of my novel about Marie Antoinette are going amazingly well (thank you so much everyone who has bought a copy! Please leave a review! If you fancy checking it out – it is £1.72 from Amazon UK and $2.99 from Amazon US) and I’m also looking forward to the launch of my second book with Embrace Books sometime in the summer.

I’m thinking about having a proper French Revolution themed book launch for Blood Sisters with CAKE and CHAMPAGNE and stuff! What do you think? Can it be done with an e-book release? I might also have my first reading coming up too! I’m a bit shy, which is odd as I flounce about the place with hot pink hair and am always going on about Victorian Prostitute re-enactment and GIN, but I’m looking forward to it nonetheless!

I don’t know what I’m planning for Before The Storm, but it will be made available to readers one way or the other. I’m sloooowly coming around to the idea of trying to get an agent, but I’m still a bit put off after the last time! I think I’m doing okay without one though.

I’m still thinking about what my next book should be about and am torn between a novel about Mary Jane Kelly or one about Isabella Medici. I’m weighing it up very seriously at the moment as both will require research trips (Whitechapel versus Florence and Ferrara – hm, it’s a tough life being a writer) and varying degrees of expense.

I try not to think about the expense though as I’d hate to think that it’s possible to not be able to afford to be a writer. Sometimes though, I find myself wondering if perhaps you do need a reasonably large income in order to be able to do it ‘properly’. Same with blogging actually. Or maybe I just feel that way right now because I’m having a skint month and am not only wincing at the prospect of paying for research trips for books that I badly want to write but have also had to say a regretful ‘no’ to a few things that I would ordinarily have loved to do if I hadn’t spent all my money on halloumi and shoes. Oh woe is me!

Of course, if I wrote contemporary women’s fiction, I wouldn’t have these issues! Or maybe I would. Does it require exploratory trips to Christian Louboutin?

Anyway, that’s enough talking about writing! I’d better get back to it…

Jane Austen’s fascinating cousin – Eliza de Feuillide

11 Mar

 

I’ve been reading about Eliza lately as part of the research for my current work in progress, Before The Storm as one of the main characters, Venetia, is the daughter of an immensely wealthy ‘nabob’ and ends up married to a French nobleman. This mirrors the fascinating life of Jane Austen’s incorrigible and glamorous cousin, Eliza Hancock.

Eliza was born in Calcutta on the 22nd of December 1761 and was the daughter of Jane Austen’s aunt Philadelphia and to all intents and purposes, her husband, Tysoe Hancock, a physician with the East India Company who had married the fifteen year old Philadelphia despite her lack of dowry and the fact that he was twenty years her senior. Salacious rumour suggested that she was in fact the result of a clandestine affair between Philadelphia and Warren Hastings, who stood as godfather to the infant Eliza and would later be Governor General of the Bengal.

The reason for the rumour is obscure but it seems to have begun with the fact that the Hancock marriage had been childless for six years before they became friends with Warren Hastings and also that he was known to have settled £10,000 on Eliza shortly after her birth – a very large sum of money at the time.

Eliza did not remain in India for long and travelled to England with her mother in 1768, leaving her father, Tysoe behind to continue his business in Calcutta. He was eventually to die in 1775 and a few years later his resourceful widow, Philadelphia left England for Paris, taking the seventeen year old Eliza with her.

Eliza was a great success in Paris thanks to her natural prettiness (her miniature shows an elfin faced beauty with huge dark eyes and a charming nose) as well as her adventurous spirit and impudent nature, which was always ready to amuse and be amused. Along with her mother, she entered into the pleasures of high society life in Paris with aplomb and was even to be seen at Versailles.

At the age of twenty, she married a French army officer, Jean-François Capot de Feuillide and the young couple set up home together. Her husband called himself a ‘Comte’ but it is likely that this was a self conferred title and not an official one.

Eliza and her younger Jane Austen first got to know each other properly in 1786 when Eliza returned to England to pay her Austen relations a visit. It seems like a remarkably ill timed venture to be honest as Eliza was heavily pregnant at the time and ended up giving birth to her son, Hastings, before she had even managed to leave Calais. Nonetheless, the intrepid Eliza continued with her journey and went on to Hampshire, where she bewitched her Austen cousins with her charm and tales of glamorous, exciting Paris and Versailles.

Along with Jane, Eliza also became very close to Henry Austen, Jane’s favourite brother and the two spent rather too much time flirting with each other, despite the fact that Eliza was ten years his senior. You can imagine them walking together in the garden – handsome Henry and the vivacious little Comtesse with her Anglo French accent and charming, flirtatious ways. It must have been a wrench when she had to return to Paris.

Eliza was to return to England with her mother and son in tow in 1790, after the outbreak of the French Revolution and in one of the first waves of French emigres who landed on English shores at this time. Her husband remained behind in Paris and would be arrested and guillotined in 1794 – an unfortunate tragedy that imbued his pretty little widow with even more tragic glamour in the eyes of her cousins.

Eliza was to settle with her mother in London but she remained close to Jane and the two enjoyed a correspondence at this time, with Jane dedicating her book Love and Freindship ‘To Madame la Comtesse de Feuillide this novel is inscribed by her obliged humble servant The Author.’

It’s said that a few of Jane’s characters are based on her flighty French cousin, including Lady Susan and Mary Crawford in Mansfield Park, who shares Eliza’s passionate love of amateur theatre, flirtatious nature and talent with the harp. That Austen loved her cousin is clear, but if it is true that Lady Susan and Mary are based upon her then it is clear that there were darker undercurrents at play here, perhaps because of Eliza’s ongoing flirtation with Jane’s brother, Henry while at the same time she often declared that she had no intention of marrying again and also had no wish to marry a clergyman, which was Henry’s intended eventual profession once he had left the army.

‘..I am glad to find you have made up your mind to visiting the Rectory, but at the same time, and in spite of all your conjectures and belief, I do assert that Preliminaries are so far from settled that I do not believe the parties ever will come together, not however that they have quarrelled, but one of them cannot bring her mind to give up dear Liberty, and yet dearer flirtation – After a few months stay in the Country She sometimes thinks it possible to undertake sober Matrimony, but a few weeks stay in London convinces her how little the state suits her taste – Lord S’s card has this moment been brought me which I think very ominous considering I was talking of Matrimony, but it does not signify, I shall certainly escape both Peer & Parson…‘ – Eliza de Feuillide to her cousin, Philadelphia Walters, 1796.

She soon changed her mind though…

‘…I have consented to an Union with my Cousin Captn. Austen who has the honour of being known to You. – He has been for some time in Possession of a comfortable income, and the excellence of his Heart, Temper, and Understanding, together with his steady attachment to me, his Affection for my little Boy, and disinterested concurrence in the disposal of my Property, in favour of this latter, have at length induced me to an aquiescence which I have withheld for more than two years…’ — Eliza de Feuillide to her godfather, Warren Hastings, 1797.

On the 31st of December 1797, Eliza and Henry were eventually married and enjoyed a very happy marriage at their home in Sloane Street, London, although sadly without any children before Eliza eventually died in April 1813, at the age of fifty. Jane, who had helped nurse her through her long illness, was at her side when she died.

 

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