Archive | June, 2010

The Highwayman – Alfred Noyes

30 Jun

I adored this poem when I was a little girl and then a rather over romantic goth teenager. In fact I loved it so much that I wrote a novel about it, which is alas lost forever. Maybe I should rewrite it?

This is for my darling friend Suzy of Beyond the Pale.

The Highwayman.

PART ONE

I

THE wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door.

II

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

III

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

IV

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
The landlord’s red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—

V

“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

VI

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i’ the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt, and galloped away to the West.

PART TWO

I

He did not come in the dawning; he did not come at noon;
And out o’ the tawny sunset, before the rise o’ the moon,
When the road was a gypsy’s ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—
King George’s men came matching, up to the old inn-door.

II

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

III

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
“Now, keep good watch!” and they kissed her.
She heard the dead man say—
Look for me by moonlight;
Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

IV

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

V

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love’s refrain .

VI

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

VII

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

VIII

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord’s daughter,
The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

*           *           *           *           *           *

X

And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
Riding—riding—
A highwayman comes riding, up to the old inn-door.

XI

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

Isn’t it lovely when you revisit something that you remember loving in your youth and find that it is just as good as you remembered it to be? Doesn’t happen often though, does it?


Doctor Who – Number Eleven

29 Jun

Now, you will have to bear with me on this as I am a relative newbie to the whole Doctor Who thing and am not exactly a fan of science fiction but I felt compelled to write this post anyway. I’m sure we will just bumble together through this just fine though.

Anyway, despite the fact that most of my friends are very into Doctor Who and then first my husband and then my son became highly enamoured with it also, I remained aloof for a very long time until finally I couldn’t take it any more and started watching at around the time that the lovely, feisty Donna Noble became his companion and unfurled like a butterfly from its faintly chavvy and ridiculous coccoon before our very eyes.

What I soon realised was that Doctor Who isn’t actually precisely science fiction. I mean, yes there are aliens and space ships and time travel and ludicrousness but at the same time I became aware that there is a lot more to it than that – there is a humour, tenderness and essential humanity at its heart that is a million light years away from the Asimov and dreary dystopias that come to mind when I think of sci-fi.

Anyway, I got really into it and then, like most people, was really upset when David Tennant announced that he was leaving. I actually favoured Sean Pertwee for his successor (love his voice) but was quite pleased when Matt Smith was announced as the new Doctor, Number Eleven. Unlike a lot of people, I had actually heard of him as I’d rather liked him in The Ruby in the Smoke and The Shadow in the North (a couple of Victorian steampunk mysteries which he starred in with Billie Piper) – in fact I had liked him enough to look him up on imdb. Having already seen him in action, I could kind of see why he had been chosen – his character in The Ruby in the Smoke was energetic, wise beyond his years, caring and also full of humour and kindness.

I’ve really enjoyed the new series of Doctor Who and have been really impressed by Matt Smith’s take on the role – his Doctor is charming, eccentric, kind hearted, clever and funny. Tennant’s Doctor made me tearful on more than one occasion but he never made me laugh as much as Smith’s, mainly thanks to his manifest social awkwardness. Remember the delicious little chat he had with Rory when he came back as a Roman.

The series hasn’t been all good (the one with the Daleks and Winston Churchill wasn’t all that great) but when it was good, it was very, very good and that was most of the time. I especially loved the last two episodes before the finale – Vincent and the Doctor, which was exceptionally beautifully written and extremely moving and also The Lodger, which was really funny and performed the miracle of making me almost like James Corden. I said almost.

The season finale though was simply breathtakingly amazing. I loved the first part The Pandorica Opens, which left all of the main characters in apparently unsurmountable peril at the very end. I may even have cheered when Rory came back, as he is swiftly becoming my all time favourite companion.

The next week was spent in frantic speculation – who is River? Is Amy a real person? Was there two Doctors in the forest that time? It seemed hard to believe that the final episode could live up to the hype, answer all the questions and satisfy the speculations of millions of fans – it managed it though.

I must admit that when I first watched it, I wasn’t sure what I made of it. It seemed so schmaltzy, so ludicrous and over the top. However, after repeat viewings (thanks Felix!) I have come to love it.

I’ll never get past the problem of the Doctor having to go back in time to give Rory his screwdrive to open the Pandorica so that he can go back in time to give Rory his screwdriver to open the Pandorica but that’s okay. Maybe. I also still think that the wedding at the end was faintly ridiculous but that’s okay too because its over the topness and mawkishness struck just the right note for the end of one difficult and tense chapter in the Doctor’s life and the beginning of some more light hearted times with his friends.

I don’t think I’ll ever be able to get past Amy’s parents’ confusing accents though. Are they supposed to be Irish?

However, there was much there that was simply beautiful – Rory waiting for two thousand years for Amy to return (can he remember that?), the fez, the Doctor’s look of ecstatic joy as he flies the Pandorica towards the exploding Tardis, ‘I can buy a fez’, the dancing, the little scene between the Doctor and River in the garden, the tuxedo and the Doctor telling Amelia the story that will ultimately save him, looking weary and destroyed before stepping through the crack in her wall.

It was both sublime and epic.

I’m really looking forward to the next series and hope that Matt Smith will be with us for a long time to come! Also, can River please not be his wife because it’s just too boring! Oh and don’t kill Rory off again!

Skirmish at Berkeley Castle!

29 Jun

A few years ago we used to go to an amazing weekend event called Joust at Berkeley Castle in Gloucestershire (which history fans will recognise as the location of Edward II’s grimly horrid demise by red hot poker) which was basically a huge Medieval re-enactment fair over two days with a living history camp, demonstrations of exciting Medieval weaponary, the Medieval Baebes singing (seriously, look them up if you haven’t already heard of them), banquets, lots and lots of jousting, a skirmish re-enactment and lots of stalls selling weird Medieval stuff. It was AWESOME.

Sadly, a flood in 2007 meant that not only was that year’s Joust cancelled but it also went bankrupt as a result. Boo! Hiss! However, it now appears to be back in a new incarnation as Berkeley Skirmish! Hurray!

I am totally overjoyed about this as I adore this sort of thing and it has the bonus of being both educational and also FUN.

If it sounds like your thing then it is on over the weekend of 24th-25th July and tickets are £14 for adults, £7 for children under 14, free to children under 5 and £38 for a family of four.

Really looking forward to watching the jousting against the backdrop of Berkeley Castle!

Maybe I should dress up this time – I didn’t make much of an effort last time around!

Eternal Beau

26 Jun

A trip to a car boot sale this morning had the unexpected side effect of reminding me of those halcyon long ago days in the late 80s and early 90s when ownership of a set of Eternal Beau tableware was a true benchmark of middle class aspirations. How times have changed. It’s all about Emma Bridgewater and Cath Kidston these days (and rightly so) but back then you were a social failure if you didn’t serve dinner on Eternal Beau.

We never had anything with the Eternal Beau pattern as my grandmother considered it rather ridiculous and cloying, but I remember loving it and longing for her to buy something, anything with the pretty yet refined flower and ribbon pattern. To my young eyes, it was the epitome of elegance. Don’t worry, I soon realised the error of my ways.

I think there is still a part of me that loves Eternal Beau – when I went to the Musée des Arts Décoratifs, I found myself drawn to a display of Sevres plates that had once formed part of a service belonging to Madame du Barry. Look familiar?

I think we must have always have had a taste for flowers and ribbons on our plates. It’s a pity that Eternal Beau is considered so naff now really, otherwise I might well have bought some pieces in it.

The Palais Royal

25 Jun

The Palais Royal is one of my favourite spots in Paris – it is so serene and elegant and harmoniously proportioned that it is hard not to feel really calm and happy there. The sandstone colonnades are just as they were in the eighteenth century, when the Palais was the central hub of fashionable Parisian life and so it is very easy to imagine glamorous celebrities such as Joséphine de Beauharnais, the Duchesse de Polignac and Aimée de Coigny strolling at their leisure beneath the beautiful columns and gossiping with their friends in the bustling, fashionable coffee shops and restaurants that used to line the arcades.

The Palais Royal was originally the Parisian home of Cardinal Richelieu and was completed by the architect Lemercier in 1629. When Richelieu died in 1642, he left the gloriously beautiful palace to the French royal family, who were probably glad of a Parisian home that wasn’t the uncomfortably Medieval Louvre, which is just next door. Louis XIV spent part of his boyhood in the Palais Royal with his mother Anne of Austria and younger brother Philippe before it was turned over the use of the deposed Queen of England, Henrietta Maria, her young daughter Henriette ‘Minette’ and their crowd of exiled English hangers on.

On the 31st March 1661, the lovely Princesse Henriette was married to her cousin, Philippe, Duc d’Orléans in the Palais Royal’s exquisite chapel and the young couple took up residence there, making it the seat of the Orléans family from that point on, while Henrietta Maria, probably feeling like her work was done now that she had successfully married her daughter off into the French royal family (or indeed ANY royal family) retired to the Château de Colombes in the countryside.

The new Duc and Duchesse d’Orléans were blessed with exquisite taste even if they did not generally agree on anything else and they transformed their new home into the centre of French aristocratic society. It is Henriette that we have to thank for the Palais’ lovely formal gardens where modern Parisians still sit and quietly enjoy their lunch surrounded by tranquil rows of trees. While her brother in law, Louis XIV was busily transforming his father’s old hunting base at Versailles into a magnificent palace and busily trying to persuade his courtiers to basically colonise the town he was designing to surround it, Henriette and Philippe were making the Palais Royal the focus of Parisian social life by throwing gorgeous balls and splendid parties on a weekly basis.

Over the years, the Palais Royal continued to evolve and be transformed by succeeding generations of the Orléans family. In 1692, when Philippe’s heir, the Duc de Chartres married his cousin, Françoise-Marie de Bourbon, the daughter of Louis XIV and Athénaïs de Montespan (who had once been a lady in waiting at the Palais Royal before she caught the King’s wandering eye), a whole new wing was built alongside the Rue de Richelieu in order to house the new Duchesse’s apartments and servants as well as a new picture gallery for her father in law.

The Palais Royal was to become even more important in the early years of the eighteenth century when Louis XIV died in 1715, leaving his five year old grandson, Louis XV as successor. The young King was raised at the Tuileries under the watchful eye of his guardian and cousin, the Duc d’Orléans at the neighbouring Palais Royal. Of course rumours abounded that the all powerful Duc would end up doing away with the little King but on the contrary, Orléans seems to have made an excellent guardian who genuinely had his young charge’s best interests at heart.

The Duc’s private life did not bear up to scrutiny however and the elegant Palais was scene to notorious orgies during which Orléans, his friends and family consorted with prostitutes of both sexes, actresses and even footmen. There were even rumours that Orléans was having an overly close relationship with his own daughter but was this was doubtless just malicious gossip. The behaviour of the next generation was not much better with his daughter in law, Louise Henriette de Bourbon also becoming notorious thanks to her affairs and bad behaviour.

When Louis-Philippe, Duc de Chartres took possession of the Palais Royal in 1780 he immediately moved there with his wife, the heiress Louise-Marie-Adélaïde de Bourbon and began a process of expanding and remodelling the mansion, which culminated in the gardens and new arcades being opened to the public in 1784 as what was the eighteenth century precursor of a shopping mall or a one stop entertainment and shopping destination with everything that you could possibly want. The main mansion was still inhabited by the Orléans family but the noble colonnades now housed 145 cafes, shops, hairdressers, restaurants and gambling dens and was soon frequented by all of the Parisian classes from the circle that surrounded Marie Antoinette to the lowest prostitutes who would prowl the arcades in search of clients.

The Palais Royal was as popular as ever during the Revolutionary period, when the Duc d’Orléans aligned himself with the Revolutionaries and turned on his cousins, the royal family. It was at a café in the Palais Royal that his protegé, Camille Desmoulins called the assembled people to take arms and march on the Bastille in July 1789 and it was in one of the colonnades many shops that Charlotte Corday was to buy the knife with which she stabbed Marat.

Madame Vigée-Lebrun described the Palais Royal in its heyday in her memoirs:

On Sundays and saints’ days, after hearing high mass, my mother and my stepfather took me to the Palais Royal for a walk. The gardens were then far more spacious and beautiful than they are now, strangled and straightened by the houses enclosing them. There was a very broad and long avenue on the left arched by gigantic trees, which formed a vault impenetrable to the rays of the sun. There good society assembled in its best clothes. The opera house was hard by the palace. In summer the performance ended at half-past eight, and all elegant people left even before it was over, in order to ramble in the garden. It was the fashion for the women to wear huge nosegays, which, added to the perfumed powder sprinkled in everybody’s hair, really made the air one breathed quite fragrant. Later, yet still before the Revolution, I have known these assemblies to last until two in the morning. There was music by moonlight, out in the open; artists and amateurs sang songs; there was playing on the harp and the guitar; the celebrated Saint Georges often executed pieces on his violin. Crowds flocked to the spot.’

Rosalie Filleul

25 Jun

I was going to write a post about Rosalie Filleul yesterday but then got a bit swamped with general business and didn’t get a chance, which is a shame as it turns out that yesterday was the anniversary of her death so it would have been good to remember her for a bit.

The popular pastellist, Rosalie Filleul was born Anne-Rosalie Bouquet in Paris in 1753 and was the daughter of Blaise Bouquet, ornamental painter and dealer in fans. The young Rosalie showed a talent for art from a young age as recalled by her best friend, the portrait painter Louise-Élisabeth Vigée-Lebrun, who wrote:

I also drew from nature and from casts, often working by lamplight with Mlle. Boquet, with whom I was closely acquainted. I went to her house in the evenings; she lived in the Rue Saint Denis, where her father had a bric-à-brac shop. It was a long way off, since we lodged in the Rue de Cléry, opposite the Lubert mansion. My mother, therefore, insisted on my being escorted whenever I went. We likewise frequently repaired, Mlle. Boquet and I, to Briard’s, a painter, who lent us his etchings and his classical busts.

Vigée-Lebrun, always given to hyperbole when describing the good looks of female acquaintances described the young Mademoiselle Boquet as a rival beauty with ‘considerable‘ artistic talents although where Vigée-Lebrun specialised in oil paintings, Rosalie prefered the more tactile, softer medium of pastels.

Rosalie’s work was very popular and she is known to have exhibited her work several times in the 1770s, when she was still only a teenager. She was attracting attention also for her beauty, with Vigée Lebrun writing later about their walks in the gardens of the Palais Royale that ‘we never entered this avenue, Mlle. Boquet and I, without attracting lively attention. We both were then between sixteen and seventeen years old, Mlle. Boquet being a great beauty. At nineteen she was taken with the smallpox, which called forth such general interest that numbers from all classes of society made anxious inquiries, and a string of carriages was constantly drawn up outside her door.’

On the 1st October 1777, at the age of twenty four, Rosalie was married to the much older Louis Besne Filleul, who held the office of Superintendant of the royal Chateau de Muette and the newly married couple made their home in the Hôtel de Travers, whose windows overlooked the chateau’s beautiful gardens. Muette was a great favourite with Marie Antoinette, who installed the Duchesse de Polignac there and so the young Madame Filleul came to the attention of the royal family, who gave her several commissions for portraits, most famously a charming one of the eldest children of the Comte d’Artois.

The charming Rosalie was rightly feted for her artistic talents and personal charm and was close friends with several notable figures of the day including Vigée-Lebrun, Madame de Bonneuil (reputedly the most beautiful woman in Paris, who would later become a spy during the Revolution) and Benjamin Franklin, who appears to have had something of a crush on her and would pose for her also.

Sadly, Monsieur Filleul died in 1788 but fortunately for Rosalie, Marie Antoinette decided to make her his successor as Superintendant of Muette and so she continued to live there with her young son, Louis-Auguste, who was born on the 14th of June 1780 and her close friend Marguerite-Émilie Chalgrin, daughter of the artist Vernet.

Like most liberal, artistic members of French society, lovely, flirtatious Madame Filleul welcomed the Revolution when the Bastille fell in 1789 but she soon became disillusioned after the suppression of Christianity and then imprisonment of the royal family. She drew attention to herself when she wore mourning for Louis XVI on the anniversary of his execution in January 1794 and then again when she unwisely auctioned some old pieces of furniture from La Muette, which bore the royal insignia.

Rosalie was duly denounced to the Committee of Public Safety and put under surveillance by a certain Citoyen Blache. Arrest was inevitable and eventually she and her friend, Madame Chalgrin were both arrested, with execution following swiftly on the 24th June 1794 on the Place du Trône-Renversé.

Madame Vigée-Lebrun would write in her memoirs:

She had a remarkable talent for painting, but she gave up the pursuit almost immediately after her marriage with M. Filleul, when the Queen made her Gatekeeper of the Castle of La Muette. Would that I could speak of the dear creature without calling her dreadful end to mind. Alas! how well I remember Mme. Filleul saying to me, on the eve of my departure from France, when I was to escape from the horrors I foresaw: “You are wrong to go. I intend to stay, because I believe in the happiness the Revolution is to bring us.” And that Revolution took her to the scaffold! Before she quitted La Muette the Terror had begun. Mme. Chalgrin, a daughter of Joseph Vernet, and Mme. Filleul’s bosom friend, came to the castle to celebrate her daughter’s wedding – quietly, as a matter of course. However, the next day the Jacobins none the less proceeded to arrest Mme. Filleul and Mme. Chalgrin, who, they said, had wasted the candles of the nation. A few days later they were both guillotined.

Empress Eugènie, not so secret Marie Antoinette fan…

23 Jun

The Empress Eugènie was fascinated by her unfortunate predecessor, Marie Antoinette and in 1854 commissioned Winterhalter to paint this portrait of herself  dressed up as Marie Antoinette in what she and Worth fondly believed to be an approximation of eighteenth century fashion, even powdering her own beautiful dark hair white to add to the Rococo effect.

It is Eugènie that we have to thank for a general resurgence in interest in Marie Antoinette. She was also an avid collector of paintings, furniture and any items connected to the tragic Queen, all of which are now to be seen at Versailles, the Louvre and Fontainebleau and she oversaw the restoration of the Petit Trianon to its former glory, filling it with its original furniture and memorabilia.

Much is made of Eugènie’s fascination with Marie Antoinette and also that of the equally unfortunate Tsarina Alexandra, who also collected items connected with the guillotined French Queen. I don’t believe that either women saw Marie Antoinette’s fate as a warning or a foreshadowing of the upheaval that would face them in the future, but I do believe that they responded, as do so many women (including myself), to different facets of Marie Antoinette’s legend.

Eugènie, I think, really related to Marie Antoinette’s love of fashion, her reputedly extravagant lifestyle and her liking for surrounding herself with beautiful things whereas I think that Alexandra, who was so shy, felt so cut off and alienated in the midst of the intriguing, splendid Russian court and who longed for a simple, down to earth, ordinary family life related to the informal side of Marie Antoinette, who would always feel at odds with the court at Versailles.

Napoleon III’s apartments at the Louvre, June 2010

23 Jun

Like an astonishing, glittering magical world tucked away in the Richelieu wing of the Louvre, you find the former apartments of Napoleon III and his exquisite, glamorous wife, Empress Eugenie, which have been restored to the same sumptous splendour that they had before the end of the Empire.

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