Archive | March, 2010

The Nonesuch

28 Mar

Too tired and stricken with sore feet to do much with myself once I got back to Paddington from Windsor, I bought myself some Krispy Kreme doughnuts and a vanilla macaron from Paul and settled myself down for a lovely long read of The Nonesuch by Georgette Heyer, which is an old favourite that I often return to with great pleasure.

The Nonesuch is unusual amongst Heyer’s books, as after a dramatic opening in London, it is primarily set in Yorkshire, close to Leeds and Harrogate. The hero of the piece is the improbably named sporting gentleman of fortune, Sir Waldo Hawkridge, who is nicknamed ‘The Nonesuch’ in tribute to his superior sporting abilities, his elegance, his charm and his overall wonderfulness. However, it is made very clear that although Sir Waldo is the very embodiment of a Regency gentleman of both rank and fortune, he is no rake.

The heroine of the book is not, as might be originally supposed, the exquisitely beautiful but horrendously spoilt heiress Tiffany Weild, but is instead her governess companion, the very lovely Miss Ancilla Trent, who despite the apparent humbleness of her position is actually the niece of a well known general who has furthermore had a proper coming out into society as well as being presented at court.

This charming book is very much a comedy of manners, based on the very simple idea that appearances can, and often are, deceptive, this being the truth that leads the characters through the misunderstandings and reconciliations of courtship until finally you are brought to a happy and well deserved conclusion.

I really love Heyer’s books anyway, as I have already written about at length, but I think that The Nonesuch is one of my absolute favourites as I love the sparky, humourous exchanges between Waldo and Ancilla and also always really look forward to the awful Tiffany’s downfall when all around her realise just how ghastly she actually is.

Am now reading Venus of Empire by Flora Fraser, about Pauline Bonaparte in between working on a write up of my meeting with Desmond Shawe-Taylor. I have a busy month ahead of me in April, with both my husband and Felix having birthdays and my father in law getting married again, as well as various day trips to Cornwall, Bristol and, gulp, Legoland.

Painting History: Delaroche and Lady Jane Grey

28 Mar

On Friday morning I went to see the Painting History: Delaroche and Lady Jane Grey exhibition at the National Gallery in London. I was feeling a bit fragile after the previous evening’s revelries so didn’t enjoy it as much as perhaps I would otherwise have done but I still really liked it.

Situated in the bowels of the Sainsbury Gallery and displayed against black curtains and sombre slate grey walls, the exhibition is actually quite a small one, although it feels bigger probably because of the hugely dramatic and punchy impact of the works on display. As well as showing off Delaroche’s masterpiece, The Execution of Lady Jane Grey, there is also La Jeune Martyre and The Princes in the Tower, both on loan from the Louvre as well as his moving painting of Marie Antoinette leaving the Tribunal after her sentencing.

As well as paintings, there are several preparation drawings and sketches hanging on the walls, showing the thought process that went into the painting of Lady Jane Grey and revealing Delaroche’s twin preoccupations with the French Revolution and English history, with his interest in one giving rise to his dramatic evocations of the other. Alongside his drawings of Lady Jane Grey’s execution, there were sketches of the Dauphin and Madame Royale in the Temple prison, clutching each other in the same way as the Princes in the Tower, while presumably an unseen menace lingered beyond the cell door.

It is the painting of Lady Jane Grey that is the real jewel here – her youthful beauty luminous and radiant as she prepares for death. It is displayed alone against a stark wall, and up close the eye is free to linger on the shimmering white silk of her gown, the berefit expressions of her ladies in waiting, the rich brocade and jewels on her discarded dress that one of them clutches on her lap and the serious and intense way that the gazes of both of the men, the Lieutenant of the Tower and the executioner are turned upon her. There can be no doubt at all that we are in the presence of martyrdom – the scene is wholly secular, but nonetheless the painting owes as much to depictions of religious martyrdom as it does to the dark drama of history.

Also on display is another favourite work: Anne Boleyn in the Tower by Edouard Cibot, which I don’t recall ever seeing in person before. The 1835 painting with its limp central figures, the contrast of a pale shimmering gown and rich brocades and Anne Boleyn’s (inaccurate) dishevilled red plaits obviously owes a great deal to Delaroche’s painting of Lady Jane, which was completed two years earlier. It’s a powerful work in its own right though and it was a pleasure to see it there.

The exhibition is running at the National Gallery until the 23rd May 2010 and is well worth a visit if you are in the vicinity. I got around it in about 40 minutes, so I wouldn’t plan a whole day out around it though.

I’ve also written about this exhibition here.

Whitechapel

27 Mar

My friend Simon and I ventured out to Whitechapel on Thursday night for a spot of curry and gin. I love the area at night, when it is an odd mix of eerily silent alleyways and nooks and crannies juxtaposed with the revelries on Brick Lane with its bars and dozens of curry houses.

At street level, much of Spitalfields seems just as it must have done in Victorian times, with narrow streets lined with the sombre former houses of silk merchants and Victorian style painted signs on the shops and pubs. Above street level, however the brightly lit Gherkin keeps guard while all around are the shimmering glass office buildings that make up the financial heart of the City of London. It makes for an odd atmosphere, both decaying and at the same time ultra modern. I love it.

Simon and I wandered down Brick Lane in search of curry, first amused and then progressively more annoyed by the curry house touts who line the street, offering discounts and free alcohol and promising ‘very nice curry, the best in London’ to anyone who passes. It made me laugh though to recall that according to most films about Jack the Ripper, any single man who walks the streets of Whitechapel would be endlessly accosted by the whores who apparently lined the pavements. Nowadays, the prostitutes are elsewhere and the curry touts have taken their place.

After curry (we opted for somewhere that not only didn’t actively ask us to come inside but also looked promisingly crowded), we went for a stroll and a quick gin in the Ten Bells. I adore strolling around Whitechapel at night, although on this occasion, Simon wouldn’t let me jump out on a Jack the Ripper walk so I contented myself by making menacing hand gestures behind them instead.

I returned to Spitalfields the next day, retracing my steps from Liverpool Street and along Artillery Lane, which is a perfect evocation of how a winding Victorian street would have looked, complete with menacing looking back alleyways. It all looks so different in bright sunlight and with the city boys and girls bustling about the place, shouting into their mobile phones and carrying boxes full of pie and mash or cupcakes.

I made straight to Commercial Street and took photographs of the Ten Bells and Christ Church before taking a stroll down Brick Lane, where the atmosphere was dramatically different to that of the previous night. I went down Hanbury Street, where Annie Chapman’s body was discovered in the garden of number 29, feeling suddenly self conscious as the locals stared at me. I don’t think I look like the average Ripperologist, which they must surely be used to by now. In fact, I’m not sure what the average Ripperologist even looks like, but I’m guessing not many are All Saints and Converse clad women in their early thirties.

I was beginning to run out of time so I had a quick stroll through the streets, daydreaming about living in one of the silk merchant houses by Christ Church. They may look boring and rather forbidding to the untrained eye but I think that they are charming. This was followed by a detour through Spitalfields, where I considered pie and mash, dropped into Lulu and Lush to give my friend Zazz a quick hug and have a rapid catch up session and bought some chocolate goodies from Montezuma for the boys at home.

After this there was nothing more to do but pay a brief pilgrimage to the service road of White’s Row car park, which is all that remains of the notorious Dorset Street, which was once known as ‘The Worst Street in London’. This dreadful place started life as a row of houses belonging to prosperous silk merchants but over the years it became a shocking and squalid slum, inhabited by brothels, criminals and cramped and revolting lodging houses. It’s fall from grace is admirably charted in the book ‘The Worst Street in London‘ by Fiona Rule.

Miller’s Court, home to the final victim of Jack the Ripper was a nasty little alleyway just off Dorset Street. Nothing now remains of it, but it was located by one of the garages on the left hand side of the photograph above, where the red car is parked. I usually like to walk down the road but on this occasion the gates were locked at one end and a barricade at the other. At the end of the service road, looms the Victorian edifice of the Providence Row night shelter, which was established in 1860 and provided a refuge to the numerous homeless and dispossessed of Whitechapel.

If you get a chance to visit Spitalfields, don’t be afraid to go there. It has been gentrified on an epic scale in the last ten years but still retains much of its murky Victorian atmosphere, if you know where to look for it.

The Ten Bells

27 Mar

The Ten Bells is right next to Christ Church in Spitalfields and directly opposite the entrance to the now trendy and bustling Spitalfields Market. There has been a pub on the corner of Fornier Street and Commercial Street since 1752, but the Ten Bells as we know it now has only been in existence since Victorian times, when it served the locals of Spitalfields and the porters and clientele of the market over the road.

The pub has an unsavoury reputation thanks to its connections to the Jack the Ripper case as two of the victims, Annie Chapman and Mary Jane Kelly are known to have drunk there, although obviously it is not known if Jack the Ripper himself was a customer.

The Ten Bells was briefly known as The Jack the Ripper between 1976 and 1988, but the brewery eventually forced into changing the name back to the original again after women’s groups, quite rightly, argued that a notorious murderer of women should not be commemorated by having pubs named after him.

I’ve had a love/hate relationship with the Ten Bells over the years. I still remember the very first time I went there: it was 2002 and I was going out with someone who lived in Wapping. It didn’t take me long to persuade him to walk with me up to Whitechapel at night so that I could poke around the murder sites and see Spitalfields for myself. He spent the entire evening worrying about being mugged or worse, but I was in love with the area from the first moment that I set foot in it. I knew that I would feel at home anyway, of course as my family came from there and I had always felt a deep link to the East End of London but I wasn’t prepared for quite how much I would love it.

We went to the Ten Bells of course, by now a thriving, dimly lit and hipster cool bar filled with a curious mix of cool young things and awkward looking tourists in anoraks. I found it unbearable though – the music, chatter and laughter were all too loud and I found myself needing to leave almost immediately, disappointed that it wasn’t at all how I expected it to be. To make matters worse, while we were standing by the door, I became convinced that I could feel someone put their hands on my waist, only to look around and realise that there was no one standing anywhere near me. Spooky!

And then to make matters even worse, my boyfriend then went a bit mad when we got back to his flat and claimed that voices in his head were telling him to hurt me. We didn’t last very long, as you can imagine. Actually, that’s not true as actually I almost ended up married to him, until fate intervened.

After this, I made occasional forays into the Ten Bells but was always quickly forced out by the noise and hubbub. We went again on Thursday night and miraculously got a table at which to drink our gin. Even more miraculously, it was beside the window so we had an amazing view up and out at Christ Church looming over us. My companion told me that I looked somewhat wonderful with the flickering candlelight and gloomy looks up at the ominous white church, but I expect I just looked slightly crazed.

The Comtesse d’Artois and her children…

27 Mar

Painted by Charles Leclercq.

Christ Church, Spitalfields

27 Mar

I’ve written about Christ Church, Spitalfields before but couldn’t resist writing about it again, especially as I took a clutch of new photographs when I was there yesterday and also managed to go inside for the first time ever.

Christ Church was built between 1714 and 1729 by Nicholas Hawksmoor and I think displays his genius more than any of his other constructions. It looms ominously over the dark Victorian buildings that surround it and dominates the Spitalfields area.

It is of course well known as a central location from the infamous Ripper murders of Autumn 1888, which, bar one, took place in the streets around the church. Fans of the book and film From Hell will recognise it as the classically austere white church beside the Ten Bells pub, where the victims allegedly drank and tried to attract punters. In those days it was a magnet for the prostitutes, dispossessed and hopeless of the area, who congregated on its white steps, which overlook Commercial Street.

More recently, the church has been the object of an amazing restoration project and has now been revealed in all of its glory. I was literally dumbstruck with admiration and awe when I stepped inside yesterday afternoon, the noise and bustle of busy Commercial Street fading away to a distant buzz as I walked around its light filled, luminous and serene space.

All of the photographs in this post were taken by myself yesterday afternoon. I hope you enjoy them!

Back from London

27 Mar

I have been a bit quiet lately as I spent the last couple of days in London. While there I enjoyed a spot of gin and curry debauchery in Whitechapel, some hanging around in glorious sunshine in Spitalfields, a visit to the Lady Jane Grey exhibition at the National Gallery and a trip out to Windsor for a really fantastic chat with the Surveyor of the Queen’s Pictures, Desmond Shawe-Taylor, which has inspired lots of really fabulous (I hope!) future blog posts!

The King’s Garden

24 Mar

I don’t remember reading ordinary children’s books while I was growing up. I was raised by my grandparents, who had some weird ideas about the upbringing of children and so I was encouraged to read Dickens and Austen almost as soon as I was able to read. It didn’t take me long to discover my grandmother’s huge stash of historical fiction and from the age of about seven onwards I was hooked on a diet of Georgette Heyer, Jean Plaidy, Norah Lofts and Margaret Irwin.

While my schoolfriends were reading books by Roald Dahl and Enid Blyton, I was immersed in the Castilian court of Ferdinand and Isabella, developing immense crushes on Henry V and George of Clarence and sowing the seeds of what was to be a life long obsession with eighteenth century France, Marie Antoinette and the French Revolution thanks to a youthful reading of ‘The Queen’s Confession‘ by Victoria Holt. I’ve already spoken on here about my love of the Catherine series by Juliette Benzoni, with its mesmerising violet eyed heroine.

As a teenager, my tastes matured just as tastes in historical fiction also changed and I swapped my Plaidys for Sharon Penman’s The Sunne in Splendour, Susan Kay’s Legacy (the best novel about Elizabeth I that I have ever read, I still have my copy and drag it out once a year to have a reread), Margaret George’s The Autobiography of Henry VIII, Elizabeth Buchan’s Daughters of the Storm (a cracking read even if she basically ripped off the Memoirs of Madame de la Tour du Pin and got some pretty basic facts wrong along the way), Through A Glass Darkly by Karleen Koen and, oh my gosh, Wideacre by Philippa Gregory, which superceded Judy Blume’s Forever as the sensational reading of the upper fifth. One hears about eighteenth century convent school girls blushingly reading Les Liaisons Dangereuses, well Wideacre was the equivalent for girls who grew up in the eighties.

We all had to write reviews in a special English journal of any book that we had read, and I remember my best friend delivering a gushing and breathless write up of the plot of Wideacre, only to be scolded by our English teacher and informed that no book on earth could have such an involve and shocking plot line.

A visit to Paris with my grandmother in 1989 introduced me not just to a lifelong love for the City of Lights but also the books of Fanny Deschamps. I started with Louison ou l’Heure Exquise, which took me forever to read with my schoolgirl and halting French, but I got there in the end. It is the story of a beautiful and enchanting illegitimate daughter of the Prince de Conti, who ends up having various amorous adventures in pre Revolutionary Paris before marrying a Duc.

There followed the sequel: Louison dans la Douceur Perdue, which was a more exciting read, set during the early years of the Revolution and involving even more romance and drama than its predecessor. My French isn’t the greatest though so it is entirely possible that I missed quite a lot while reading it! For all I know, Louison might not have been a girl at all!

Imagine my joy, therefore when I came across a novel by Fanny Deschamps that had been translated into English! The King’s Garden is an amazing book, with an exquisite and compelling mastery of language and an epic and fascinating scope. It tells the story of the beautiful Jeanne and her rise from humble origins on the estate of a provincial chateau. Jeanne believes herself in love with the noble botanist Dr. Philibert Aubriot and pursues him to Paris, thinking that he must be the man for her, even if to the reader he quite clearly is not. Meanwhile, she has a love/hate relationship with the charming adventurer Vincent de Cotignac, who is her perfect match in every way only she refuses to believe this.

The book sweeps from the French countryside to Paris and Versailles to a wonderful tropical paradise where the tale reaches its breathless finale. I loved it and would recommend it to anyone who loves to read about eighteenth century France. I think I might just have to reread my copy now!

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