Archive | September, 2009

Enid

21 Sep

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What DOES look really good is the upcoming BBC biopic Enid starring Helena Bonham-Carter. I have only seen a couple of pictures so far but Bonham-Carter looks really different in them and I am expecting something with plenty of brittle glamour, red lipstick and domestic intrigue.

The BBC press release says: ‘Helena Bonham Carter (Harry Potter, Sweeney Todd) stars as Enid Blyton and is joined by Matthew Macfadyen (Little Dorrit, Spooks) and Denis Lawson (Bleak House).

Blyton’s charming characters and classic tales have enchanted countless generations of children for almost 80 years and she has sold more than 500 million books in 40 countries. This drama casts light on the ambitious and driven woman behind the beloved Famous Five, Secret Seven, Malory Towers and the Noddy series.

From the adversity of an imperfect childhood to renowned author and household name, the orderly, reassuringly clear worlds that Enid Blyton created within her stories contrasted with the intricacy of her personal life.

I really loved Matthew Macfayden in Pride and Prejudice (of which more later on as I was intending to post about it today) but rather less so in Marple and Little Dorrit.

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Apparently Dave’s grandmother used to be chums with Blyton. She was here yesterday afternoon so I should have asked her about it really.

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I don’t know when Enid is due to be shown but should imagine it will be sometime soon.

Emma

21 Sep

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I don’t know about you but despite being a big fan of Jane Austen, I am UTTERLY SICK of all the bloody adaptations of her books. How many times is each one going to be remade before someone somewhere says ENOUGH ALREADY.

I do wish that someone would wake up to the potential of Georgette Heyer. Her books are set in the same period and have all the wit, romance and social comedy of Austen’s works so how come no one has ever thought to dramatise one of them?

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Anyway, this post is inspired by the news that the new BBC version of Emma is about to be screened at some point in the next couple of months. As usual they are promising a ‘fresh’ look at an old classic but to be honest I think it is going to be the same old/same old because they always promise something new and different and what we get is the usual simpering girls in empire line dresses and maybe the occasional tantalising shot of taut male breeched thighs.

The new version of Emma is set to be a four parter and is starring Romola Garai, who is an also ran to Keira Knightley by all accounts plus the equally ubiquitous Jodhi May.

On the other hand the cast also includes Johnny Lee Miller (remember him? He used to be married to Angelina Jolie) as Mr Knightley, which is a bit odd as it doesn’t seem like that long ago that he would have been cast as Frank Churchill. I guess that’s what happens when you don’t appear in anything for ages.

Frank Churchill is being played by someone called Rupert Evans, who I don’t recognise from anything but apparently he was in My Family, which is a dire warning of things to come if ever there was one. Still, he couldn’t be worse than Ewan McGregor.

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It is probably also worth watching for Tamsin Greig as Miss Bates because if anyone can play a nutcase spinster better than Tamsin Greig can, I have yet to see it.

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six wives – hot or not?

19 Sep

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Thanks to Henry VIII, The Tudors, Anne of a Thousand Days and countless, COUNTLESS films and books we are all being led to believe that (with the possible exception of Anne of Cleves, although the jury is still out on what ACTUALLY happened there) that Henry VIII’s six wives were HOT STUFF.

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Could it be that the truth is very different? Now, I don’t know about you but I am guessing that Henry didn’t go for personality over looks so surely they must at least have been FAIRLY attractive?

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A display of rare portraits (rare being art history speak for ‘rarely seen’) at the recent Henry’s Women exhibition at Hampton Court Palace would seem to suggest otherwise.

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Katherine of Aragon by an unknown artist, 1530s.

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Anne Boleyn by an unknown artist, possibly contemporary.

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Jane Seymour by one of the ‘Cast Shadow Workshop’, c 1536.

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Anne of Cleves by Barthel Bruyn, 1530s.

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Catherine Howard, probably a copy of a contemporary work by Holbein. This painting is interesting because it was originally identified as being of Catherine Howard but then this was rejected in the last century and it was decided that it either depicted Henry VIII’s niece Margaret Douglas or one of Jane Seymour’s sisters. However, opinion would appear to have swung in the opposite direction thanks to its close resemblance to the only known likenesses of Katherine.

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Katherine Parr by an unknown artist, probably contemporary.

 

I didn’t pick the portraits featured in the exhibition at Hampton Court Palace! If they don’t fit in with your idea of how Henry VIII’s wives looked or have a spurious provenance then take it up with the curators there, don’t get cross with me! I just thought they were interesting and unusual choices and wanted to share them with my blog readers! :)

The Duc de Lauzun: hot or not?

18 Sep

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A celebrated denizen of Versailles, Armand de Gontaut, Duc de Lauzun and Biron would appear to have gatecrashed my novel. I was sitting here minding my own business, tap tap tapping away at the keyboard and writing a potentially dramatic scene when BOOM there he was and he is still there and it would appear that he would like his story to be known.

Armand was born on the 13th April 1747, the son of the Duc de Gontaut and his wife Antoinette-Eustachie de Crozat. Madame de Gontaut had died giving birth to him and on her deathbed had made her younger sister, Louise-Honorine then aged just twelve promise to marry her lover, the Duc de Choiseul who was also probably the father of her baby.

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The boy grew up to be universally adored, particularly by his aunt, the Duchesse de Choiseul who was devastated when he fell in love with her sister in law, the Comtesse de Stainville. Lauzun and the Comtesse were both teenagers at the time and were the youngest members of a family that mostly comprised much older people – the Comte de Stainville was forty when he married his fifteen year old wife. I love this Carmontelle painting of Lauzun with his mistress, the Comtesse and her sister in law, the fearsome Béatrix, Duchesse de Gramont.

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Even at a young age, Lauzun had a terrible reputation amongst the noble ladies of Paris and he details some of his amorous adventures in his memoirs. He was also a favourite of Marie Antoinette but was certainly not her lover. I don’t, for the record, believe that Marie Antoinette had lovers in the physical sense but think that she probably had an aesthetic weakness for handsome, dashing young men. Her tastes seem to have been rather pedestrian – men should be gallant and good looking and women should be beautiful and tender hearted.

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But I digress. Lauzun did not just have a fearsome reputation as a lover. Oh no, he was also a brave and celebrated soldier as well and took part in the American War of Independence where he fought against the English and was involved in the Siege of Yorktown. His return to France as a hero must surely have increased his popularity even more with the ladies of Paris.

In 1763, his father the Duc de Gontaut decided that it was about time Lauzun got married and arranged a splendid match with Amélie de Boufflers, the twelve year old granddaughter of the fearsome and influential Maréchale de Luxembourg. However, Lauzun at this time was still madly in love with Madame de Stainville and so asked that the marriage be delayed for two years. In 1766, he could put it off no longer and the wedding took place before most of the court on Tuesday the 4th February in the chapel of the Hôtel de Luxembourg, 16 Rue St. Marc.

Armand was nineteen and Amélie was just fourteen. Both looked appalled and terrified.

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Madame du Deffand wrote about the young Duchesse: ‘The little woman is a small bird which has not learnt any of the tunes which have been whistled to her; she makes little sounds which really mean nothing, but as her plumage is pretty, she is admired and praised all the time; her timidity pleases, her little frightened air interests one. But I don’t prophesy that any good will come of it.’

Madame de Choiseul befriended the timid girl and encouraged her to spend as much time as possible at Chanteloup. The marriage was a failure however and there were no children. Lauzun’s adventures continued apace and he was to become entangled with several noble ladies, including Aimée de Coigny, Duchesse de Fleury who went to school with the daughters of his former mistress, the Comtesse de Stainville. You can just imagine the raised eyebrows and gossip about that!

Like many other nobles with a liberal turn of mind, he wasted no time throwing in his lot with the revolutionaries of 1789 and in 1791 he was appointed commander of the army of Flanders by the National Assembly. July 1792 brought further promotion when he became commander of the army of the Rhine, a great responsibility.

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Disaster struck in late 1793 after he was sent to La Rochelle to lead the French Revolutionary Army against the Vendéan Uprising. He was responsible for the capture of Saumur and the victory at Parthenay against the troops of Henri de la Rochejacquelin but this wasn’t enough to prevent him falling under suspicion and being accused of what Aimée de Coigny calls ‘inertia’ and so he handed in his resignation.

He was almost immediately arrested and imprisoned in the Abbaye prison in Paris, where as one of the wealthier prisoners he was treated with deference and dined on champagne and oysters. He was transfered to Sainte-Pélagie, one of the more pleasant of the Parisian prisons where he immediately began an intrigue with Mademoiselle Raucourt, an actress from the Comédie Française. Madame Roland, who was a fellow prisoner at Sainte-Pélagie encountered him at this time and seems to have fallen under his spell as well.

Lauzun was transfered to the Conciergerie for his trial and it was there that he wrote his final letter before facing the guillotine on the 31st December 1793. Of course it was addressed not to his wife or even his adoring aunt, the Duchesse de Choiseul but to a Citizeness Laurent.

In a few hours my fate will be sealed, my poor, hapless friend, you are the more to be pitied, for your sufferings will not end so soon and you will weep for me for a long time to come. If I could glimpse some happiness for you in the future, that hope would much migrate the harshness of my fate. I have every reason to believe that my sex and the only friend that still remains to me in the world will take good care of you. I recommend you to the care of your brother and even of your lady companion. She will carry out that trust so necessary to my tranquillity.

Farewell, farewell, I embrace you again and for the last time.

The poor little Duchesse, his wife Amélie de Boufflers was herself executed on 27 June 1794.

Lauzun leaves a permanent memorial in his home, the beautiful Hôtel de Biron, which is now the Rodin Museum. He was a keen gardener, thanks to several trips to London in the 1770s and 1780s and created there one of the most stunning gardens in all France.

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Muse and other ramblings

17 Sep

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Look, just look at my happy grinning little men.

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Soooo, what have I been up to? Now, I wish, oh how I wish, that I could reply with a list of interesting things but alas no. I have been busy as usual but have remarkably little to show for it other than a sprained shoulder (from dozing off on the sofa) and a dining room littered with toast crumbs courtesy of Oscar.

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Another thing that I have is a PLAN. Now that I have a tiny bit of agent interest in my Work In Progress I am clearly going to have to get cracking and actually FINISH it. Now, I’m not sure if my tardyness is actually down to lack of time or if this is an excuse to mask the truth that actually I am a bit bored with writing about people drifting around Versailles. Only time will tell. I’m currently writing about Cassandre at Versailles in October 1789 and it’s going well. The picture above is how I picture her in my head.

The plan is to do two hours work in the mornings while Felix is at pre-school then another two or three hours in the evening when the boys are in bed. This will free up more time for me to be able to write. Now, this SHOULD work but I am a Mistress of PROCRASTINATION so don’t hold your breath or expect any announcements that the book is finished any time soon.

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In other news, I would like to announce that Miss Nightingale from Beyond The Pale is winner of my Faye L Booth giveaway. Well done! I seriously think that it is just your mug of gin. :)

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I love this picture of Oscar and I from last week. Note the juxtapositioning of our familial interests behind me. We have art, Marie Antoinette, a Dalek and er a fairy. Okay, maybe not the fairy but there is a lot of Marie Antoinette and Daleks in our flat.

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We are HUGE Muse fans here, which may or may not be unexpected and have been on tenterhooks for months waiting for the new album. Dave downloaded it from iTunes at midnight on the release date (is this sad?) and we both really, really love it. It is fantastic for writing to as it is all big and swirly and has um mention of revolutions. The only drawback is the occasional lapse into sounding like Queen. Now, I know this is an unpopular opinion but I can’t stand Queen. There. I said it. Now let the flamings commence.

Georgette Heyer – Venetia and The Nonesuch

15 Sep

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Athough Heyer’s Regency books were primarily set in London, Brighton and Bath, she did occasionally venture further afield, often to Yorkshire. Venetia and The Nonesuch are both examples of this although both have chapters set in London and revolve around the arrival of a glamorous London Alpha Male in a rather sleepy rural setting.

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Venetia is one of Heyer’s masterpieces. It tells the story of the very beautiful orphan Venetia Lanyon, who has lived at the family home all her life, rarely venturing further than the local assemblies where she is hailed as a great beauty thanks to her blue eyes and ‘guinea gold’ hair In her care is her younger brother Aubrey, who is extremely studious in a way that would be called ‘geeky’ today and there is another, older brother who is away with the army.

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The land alongside Lanyon Hall is owned by Lord Deverill, a well known rake and libertine who is known as ‘the Wicked Baron’ by the local children. Venetia encounters Damerell while out walking in an old dress, which makes him assume that she is a simple village maiden and not his social equal (rather like the first meeting of Judith and Jasper in Regency Buck) and what follows is a delightful social comedy with a wonderful, grown up romance of two minds who are obviously meant to be together at its heart. Who can forget the wonderful exchange between Venetia and Damerell towards the end when they agree to marry?

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The Nonesuch is about another one of Heyer’s immensely wealthy heroes Sir Waldo Hawkridge who, rather unusually, takes a keen interest in philanthropy. He inherits the decrepit Yorkshire mansion of a distant relative and travels up there determined to transform it into a home for wayward poor boys. The arrival of a noted man of fashion, who bears the nickname ‘The Nonesuch’ in a sleepy little Yorkshire town leads to all manner of excitement and drama.

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The heroine in The Nonesuch, Ancilla Trent is unusual in that she works as a governess for the awful spoilt heiress Tiffany Weild, who is incredibly beautiful but too horrible to be a true heroine. Ancilla is, of course, very well born albeit impoverished and so it is possible for her to be a proper match for Sir Waldo. In terms of character she is similar to several other Heyer heroines such as Hester in Sprig Muslin, who are pretty, intelligent and quiet mannered but who appear to act as the less exciting foil to a more impudent female character who ought to be the heroine but isn’t.

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Moondial

14 Sep

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‘Moondial!’ As Minty spoke the word, a cold wind went past her, and her ears were filled with a thousand frightened voices. She shut her eyes and put her hands over her ears – and the voices and the wind went away. Minty opened her eyes …and knew that she was in a different morning, not the one she had woken up to. And so Minty’s strange adventure begins – a journey through time into the past, where she finds Tom, and Sarah . . . and the evil Miss Vole.

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Not to be confused with ‘Moonchild’ by Fields of the Nephilim. I imagine that there aren’t many history obsessed girls who grew up in the eighties who don’t emit a squeal of excitement when they are reminded of the BBC adaptation of Helen Cresswell’s novel Moondial.

I can still remember it vividly – the creepy opening music, the shots of exquisitely grand Belton House, Minty running through the gloomy gardens, the eerie spinning shots of the moondial itself. I was hooked.

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The plot is simple: After the death of her father, Minty and her mother go to stay with her godmother in the countryside, staying in a house by the gates of Belton House. Our heroine goes for a walk and encounters various locals being sinister in the manner that only locals can be before she decides to go for a walk in the gardens of the mansion.

There she finds herself being spooked out by the realisation that she has had dreams about the house and in particular about the mysterious moondial in the garden. Intrigued she reaches out to touch the moondial only for it to start spinning wildly, taking her back to the past…

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It’s simple, yes but utterly compelling and also probably spawned several generations worth of young adult novels about young girls getting caught up in supernatural goings on while rusticating in the countryside. *ahem*

Those of you who have been reading this and lamenting the fact that you missed out due to geographical or generational issues will be no doubt delighted to know that the book is still widely available and that you can also buy a DVD of the series.

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Grace Elliott

13 Sep

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Grace Dalrymple Elliott was probably one of the most fascinating women of her era. Her paintings certainly don’t depict a great beauty by any means but she was clearly possessed of great seductiveness and charisma as she managed to become mistress to a plethora of very influential men.

Grace was not born to a high society position and was in fact the daughter of a lawyer in Edinburgh. She was born in 1754 and her parents split up when she was young and as a result she was sent away to a convent in France to be educated, where (rather like Rose de Beauharnais in Penthémont and Anne Boleyn even earlier on) she observed the style and manners of the aristocratic French ladies that surrounded her and strived to emulate them with dazzling effects. Like Rose and Anne Boleyn, she was one of those very elegant, sophisticated women who manage to convince everyone around them that they are amazing beauties when in fact the reality probably fell very short.

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The lovely, willowy Grace returned to Edinburgh in 1771 and was immediately hailed as a great beauty. To no one’s surprise she didn’t waste much time before getting married to an immensely wealthy but rather elderly doctor, John Elliott and it didn’t take long before the young Mrs Elliott was setting the town alight with rumours about her wanton ways and secret lovers. This culminated with her scandalous departure from Edinburgh in 1774 in the company of Lord Valentia, her latest paramour.

After a lengthy and shocking divorce trial, Grace was finally freed from her marriage and given £12,000 in damages, which was an enormous amount for the time. Her reputation was in tatters however as divorced women were regarded as outside decent society and her own family, disgusted by her behaviour had her kidnapped and immured in a French convent until the dashing Lord Cholmondeley managed to rescue her and bring her back to London.

Grace was officially ‘kept’ by Lord Cholmondeley but had many other lovers in England, including the Prince of Wales in 1782. She gave birth to a daughter Georgina Frederica Augusta Elliott later that year and declared her to be the Prince’s child, even having her baptised as such. It is not known who fathered Georgina but the Prince of Wales, Lord Cholmondeley, George Selwyn and Charles Wyndham all took an interest in the girl and could all conceivably have been her father. Lord Cholmondeley however raised the girl as his own and seems the most likely candidate.

Grace’s best known affair, with Philippe Duc d’Orléans began in 1784 and she eventually moved to Paris to be nearer to him, where she remained throughout the revolution despite great personal danger to herself when she made no secret of her allegiance to the royal family, even undertaking secret missions on their behalf.

Or so she would have us believe. Grace’s story is known to us as a result of her highly coloured and dramatic Journal of my life during the French Revolution, which is probably not entirely true. In fact it is probably mostly a fabrication. I don’t think I care though – Grace’s writing is superlative and it is a cracking story.

One of the best known tales about Grace is her story about hiding the Marquis de Champcenetz underneath the pillows of her bed while a mob of blood thirsty Jacobins searched her bedroom, even stabbing her mattress in their zeal to find hiding aristocratic fugitives. It is not known if Grace’s account of what happened is precisely true but it is a good tale.

As a result of her relationship with the Duc d’Orléans and her well known royalist sympathies, Grace was imprisoned from December 1793 until October 1794. She claims to have shared a cell with the doomed Madame du Barry, but that is probably not true. It is also said that she was kept with Rose de Beauharnais and was with her when she learned of Robespierre’s fall, this too is uncertain.

I have a marvellous book about Grace: My Lady Scandalous: The Amazing Life and Outrageous Times of Grace Dalrymple Elliot by Jo Manning, which I wholeheartedly recommend to anyone interested in the life of women during the French Revolution. It closely follows Grace’s own account of her life and is an extremely entertaining read with very enlightening text boxes about the manners and social history of the period and also a wealth of wonderful pictures.

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